Filmspotting

This week, Matt and Jordan flip for the conch to discuss the BBC’s new four-part adaptation of The Lord of the Flies, now streaming on Netflix. The duo dives deep into Jack Thorne’s "cinematic" take on the classic novel, debating the effectiveness of its character-focused structure and its haunting visual palette.
For Rec Seg!, they've got Flies-inspired recommendations that range from the whimsical to the harrowing, and in response to listener emails, a deep-cut horror recommendation and an experimental short (that may just scratch that jam-band itch). Plus, Matt faces his fears as Producer Sam takes over as "Dungeon Master" for this week's game, The Streaming Limited, testing the hosts’ knowledge of literary-inspired miniseries.
(Timecodes/chapters may not be precise with ads.)
Intro (00:00:00-00:02:50)
Lord of the Flies (00:02:51-00:35:19)
Rec Seg! (00:35:20-00:55:40)
Personalized Recs: Deep Cut Horror, Jam Band Scores (00:55:41-01:13:13)
Game: The Streaming Limited (01:13:14-01:35:42)
New to Streaming / Credits (01:35:43-01:49:17)
Notes:
Now Streaming on Bazooga - A Filmspotting: SVU Archive
⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠
Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October. Pre-Order now!
⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠
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Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with its second entry, Roberto Rossellini’s Rome, Open City. Made in the immediate aftermath of Nazi occupation and against the backdrop of a country still in crisis, the film merges neorealist observation with the tension and structure of a spy thriller. The conversation explores how the movie captures resistance not as myth but as lived experience, examining its radical immediacy and why the film stands as a blueprint for what revolutionary cinema could become.
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Meryl Streep is back as Miranda Priestly in The Devil Wears Prada 2, and what better way to pay tribute to the best to ever do it than with a Top 5 devoted exclusively to her? Adam and Josh attempt to narrow down five decades of legendary work into a handful of essential scenes, ranging from Streep’s emotional precision in Sophie's Choice and Kramer vs. Kramer to her charming looseness in Adaptation. Plus, the long-awaited return of Massacre Theatre.
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes/chapters may not be precise with ads.)
Intro (00:00:00-00:03:16)
Top 5 Streep Scenes – Pt. 1 (00:03:17-00:32:19)
Filmspotting Family (00:32:20-00:37:48)
Top 5 Streep Scenes – Pt. 2 (00:37:49-01:25:21)
Next Week / Notes (01:25:22-01:38:17)
Massacre Theatre (01:38:17-01:41:20)
Credits / New Releases (01:41:21-01:44:05)
Links:
-Chicago Critics Film Festival
https://www.chicagocriticsfilmfestival.com/
-Filmspotting Fest
https://www.filmspotting.net/filmspotting-fest
-Filmspotting Madness
https://www.filmspotting.net/madness/
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Adam and Josh discuss how The Devil Wears Prada 2 softens Miranda Priestly’s edges and why, despite mealy‑mouthed social commentary, the legacy sequel mostly works as comfort viewing. Along the way, they make the case that Meryl Streep is still the movie’s true luxury item. Plus: is it time for a Fitspotting spinoff?
Links
-Andy’s Best Dress
-Chanel's Haute Couture Spring 2020 Collection
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As the 2019 edition of Madness – Best of the 2000s wrapped up, Adam and Josh took a break from the heavy hitters to highlight the gems that didn't make the 64-film bracket, including underseen comedies from Jack Black and Seann William Scott, an ambitious "docu-fantasia" from Guy Maddin, and even some deeper cuts from A-list directors like Ridley Scott and Robert Zemeckis.
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