Ahead of new episodes of Cover Story (dropping very soon!) we bring you one of our favourites from season one.Singer and rapper Ziggy Ramo and musician and broadcaster Alice Keath look at Bob Dylan’s The Times They Are A-Changin’ – a political anthem just vague enough to apply to the US civil rights movement, the Velvet Revolution, Perestroika, and in some cases seemingly nothing at all.
--------
54:06
--------
54:06
Inside a showtunes sing-along bar, and composer Fritz Hart's unsung career
When was the last time you gathered around a piano to belt out showtunes with friends or strangers? Marie's Crisis Cafe is a beloved New York City sing-along piano bar that's been bringing musical theatre lovers together for decades. The bar is popping up in Melbourne and Sydney and we'll meet resident pianists Kenney Green-Tilford and Adam Michael Tilford who'll perform a couple of showtunes live.Fritz Hart (1874 - 1949) was an English composer, conductor and teacher (and critic, poet, novelist and painter), a friend of Gustav Holst and Ralph Vaughan Williams, who was active in Melbourne (and Hawaii) in the first part of the 20th century. He composed a great deal of music, including no fewer than nineteen operas, but is these days better known for his teaching work, his students including Peggy Glanville-Hicks, Margaret Sutherland, Linda Phillips and Esther Rofe. Hart's biographers, Peter Tregear and Anne-Marie Forbes, join Andy to discuss this flamboyant, not to say rakish, figure in Australian music.
--------
54:06
--------
54:06
Shellie Morris sings for our little ones and Tim Brady composes for 100 electric guitars
Wardaman and Yanyuwa woman Dr Shellie Morris AO grew up speaking English in her adopted family, but has since gone on to learn over 20 First Nations languages. Her new album Singing For Our Little Ones is in Warumungu, and it's a collaboration with Elders in Tennant Creek as well as the local recording studio and a whole bunch of musicians. Shellie's cultural advocacy and leadership recently earned her a Red Ochre Award for Lifetime Achievement, and she's back on The Music Show to talk about why music is the perfect tool to preserve languages.Many bands include 2 or 3 guitars, but Tim Brady's latest project has one hundred of them. The Canadian composer and guitarist recently premiered 100 Guitars at Brisbane Festival, where local ensemble Topology was bolstered by 100 guitarists—a mix of professionals, casual players and complete newbies. Tim talks to Andrew Ford about the pulling off such an ambitious performance, the changing role of electric guitar in new classical music, and doing something a lot of composers are daunted by: writing for a string quartet.
--------
54:06
--------
54:06
Meow Meow's The Red Shoes and saxophonist Tessie Overmyer's Tidelands
Post-post-modern chanteuse Meow Meow returns to The Music Show to talk about The Red Shoes, the third show in her series of Hans Christian Anderson adaptations. She goes into both the music and the research behind the show, including the revelation of a Danish ballet dancer whose "feet ran away with her", that may have inspired the tale. Alto saxophonist and composer Tessie Overmyer has released her debut album as bandleader, Tidelands. She explains to Andrew Ford why she composes music on guitar, the headspace you need to be in to improvise, and how The Goodies influenced this record. The Red Shoes is at Belvoir St Theatre in Sydney 4 Oct - 9 Nov, and at Malthouse Theatre in Melbourne 19 Nov - 6 DecTessie Overmyer's Tidelands is out now via ABC Jazz.
--------
54:06
--------
54:06
Red Headed Stranger: how Willie Nelson's obsession spawned a classic country album
Willie Nelson first encountered the song Red Headed Stranger in the 1950s, working as a DJ at radio station KCNC in Fort Worth TX. It was a jaunty number, sung by Arthur “Guitar Boogie” Smith and His Cracker-Jacks, about a less-than-jaunty subject. The stranger of the title rides into town on “a raging black stallion” leading a second horse, a bay, that had belonged to his dead wife. He meets a woman who tries to steal the bay and shoots her. Willie not only played the song on his radio show but sang it himself. Eventually, he made an album to provide the backstory the song so desperately needed. Red Headed Stranger came out in 1975 and marked a new beginning for Nelson. On the album’s fiftieth birthday, country singer songwriters Tami Neilson and Henry Wagons join Andy to listen to, and talk about, why it's one of the greatest country albums ever made.
Ouve The Music Show, Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond e muitos outros podcasts de todo o mundo com a aplicação radio.pt
Portugal