Comedy of the Week

We like to think we vote with our heads. But what if we've always voted with our tribe? Top political comedian Matt Forde convenes his Focus Group in front of a live theatre audience with a razor-sharp panel — former Conservative adviser Salma Shah, ex-SNP MP and broadcaster John Nicolson, and stand-up comedian Pierre Novellie — to ask whether tribal loyalty is the secret engine of political life. From parties haemorrhaging members to rivals, to the flag-wrapped contradictions of nationalist politics, to the question of whether multicultural Britain is importing conflicts it never signed up for, this is an episode about belonging, identity - and the ridiculous places both can lead
This featured episode is The Politics of The Tribe from Series 2 of The Matt Forde Focus Group on BBC Radio 4.
Written and performed by Matt Forde
Additional writing from Karl Minns, Ruth Husko and Richard Garvin
Producer: Richard Garvin
Co Producer: Daisy Knight
Broadcast Assistant: Ocean Holder
Sound Design: David Thomas
Editor Chris Maclean
An Avalon production for BBC Radio 4

53 year old Slim looks back on his first proper decade of adulthood.
Driving the buses of London in this period leads Slim to reflect on why bus drivers don't get respect. He's also a father of two at this point, and recalls some of his favourite, and least favourite dad duties, and we also hear about his first time in front of an audience.
This is the third episode from the series Slim's Guide to Life. For more episodes, search "Stand-Up Specials" on BBC Sounds.
Written and performed by Slim
Script Edited by David Ajao
Production Coordinator: Caroline Barlow
Executive Producer: Pete Strauss
Recorded at Up The Creek comedy club by Chris Maclean.
Sound design by Chris Maclean
Music by Slim
Slim's Guide to Life is produced by Gwyn Rhys Davies, and is a BBC Studios production for Radio 4.

Cariad Lloyd, Steen Raskopoulos, Luke Manning, and Emily Lloyd-Saini embark on a new series of improv mayhem. Host Alasdair Beckett-King presides over a series of games full of emotional butchers, a three-headed movie director, and the inner monologue of a spider trapped in the bath.
"No Script. No Prep. No Clue."
To hear more episode from this series, search "Wing It" on BBC Sounds.
Presented by Alasdair Beckett-King
Devised and produced by Sam Holmes
Executive Producer: James Robinson
Production Co-ordinator: Katie Baum
Additional material: Ruth Husko
Sound Editor: Chris Maclean
A BBC Studios Production for Radio 4

Comedian Aurie Styla returns to rampage through the history of technology, through his own experience as a self-confessed tech nerd growing up in the 90s, and various things you thought you’d forgotten.
With his interactive, wildly funny style, tonight the focus is on the role tech has played in our fitness lives: for better or worse
This episode is from the Stand-Up Specials brand on BBC Sounds.
An Impatient production for BBC Radio 4.

An audience show in which Colin explores how his bizarre family made him the man he is today. Now, as a 45 year-old dad, he wonders if it’s too late to do anything about it. Based on his hugely successful 2024 Edinburgh show, Colin weaves anecdotes and musings with all too real stories about his early life, featuring a recurring cast of characters: his perennially pessimistic mum, his not-quite-in-reality brothers and his long-suffering Dad who screams ‘why can’t we just be a normal family?’ Colin asks “is it a surprise my neurodiversity was missed?' But growing up in Nottingham we just had a simple phrase that covered everything - ‘he’s not right’. Colin paints a picture of a childhood full of secrets and lies, dominated by Mum’s terror of ending up in the local ‘madhouse’ whilst espousing paranoid conspiracies and pulling out the Ouija board on Christmas Day. Whilst inherently funny, the craziness is recounted with love and sympathy. A brilliant storyteller, Colin intercuts tales of that childhood life with stories about his own contemporary family and how one has been shaped by the other. What does he want to pass on and what does he absolutely not want to? How does he be the best dad he can when his basic understanding of the world is so scrambled? Each episode begins with Colin telling us how he’s, possibly inappropriately, reacted to something mundane that has just happened or been said to him. He’ll unpick the story across the episode tracing his reaction back to his upbringing with other themes, stories and observations along the way. Colin’s stand-up is intercut with childhood and contemporary scenes. Colin plays all his family members, neighbours, distant relatives, postmen, etc.