Four Play

A Civil Action has the most stacked cast of any movie you've never seen. Robert Duvall, John Travolta, James Gandolfini, Tony Shalhoub, John Lithgow, William H. Macy, and Stephen Fry. It's a 6.5 out of 10 film elevated to must-watch by performances alone. Richard Lewis, MonteCristo, and Thorin break down why Duvall's Harvard defense attorney is the best thing in the movie and why the movie itself can't keep up with him.

 

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Robert Duvall wrote it, directed it, and delivered his career-best performance in it. The Apostle is a $5 million Southern Gothic character study about a charismatic Pentecostal preacher who murders a man with a baseball bat at his own children's Little League game, flees to small-town Louisiana, and builds an entirely new congregation from scratch. He is a wife-beater, a womanizer, a killer, and a true believer. There is no rug pull. Richard Lewis, MonteCristo, and Thorin break down why this is the most honest film about faith Hollywood has ever made.

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Colors came out in 1988 and was the first film to put the Bloods and Crips on screen by name. It feels cheesy now. It would have felt raw as hell then. Richard Lewis, MonteCristo, and Thorin open the Robert Duvall arc with the movie that crawled so Training Day, The Wire, and End of Watch could run.

 

PrizePicks — Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup!

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Marty Supreme should have won Best Picture, One Battle After Another is a career Oscar that might age like milk, and Michael B. Jordan playing two characters in Sinners is basically Mario and Luigi in different colored hats. Richard Lewis, Thorin, and MonteCristo break down every major film of the 2026 Academy Awards in a sprawling and contentious Oscars special.

 

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PrizePicks — Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup!

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After Kill Bill nearly broke them, Richard Lewis, Thorin, and MonteCristo close the Tarantino arc with the film that was supposed to prove he still had it. The verdict: Inglourious Basterds contains two of the finest scenes Tarantino has ever directed (the farmhouse interrogation and the basement bar), but the rest of the movie can't sustain the altitude those scenes reach. What could have been a profound meditation on the power of cinema, the banality of evil, and Jewish catharsis instead settles for machine-gunning Hitler's corpse on the floor of a burning theater.

 

PrizePicks — Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup!

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.