Line Noise Podcast

Terrence Dixon doesn’t do many interviews. So when the enigmatic Detroit producer agreed to speak to Line Noise around the release of his new EP for Tresor, When Stars Remember, we jumped at the chance.

In a very sweet interview, we talked about his history with Tresor, the power of extreme repetition, falling asleep to your music, his grandmother’s love for Kraftwerk, Juan Atkins, Mike Banks, not reading manuals and so much more.

Line Noise comes to you with the support of Cupra. Picture by Evan Zott.

My guest on Line Noise this week is Dominick Martin, AKA Calibre, a hugely renowned producer from Belfast best known for drum & bass but who has also made everything from jazzy folk to deep house. We were talking ahead of the release of his new Calibre record, Tricklemore Sea (released on May 1), an album of elegant and often elegiac downtempo beats on which Martin’s voice features heavily. Over the course of an hour, we spoke about everything from Martin's lack of confidence in his voice to his upbringing in 80s Belfast, passing by Lankum, Sun Ra, Swerve, perfect pitch, bringing his parents to gigs and what his daughter thinks of his music. Line Noise comes to you with the support of Cupra. Photo by JakeDavis_@jakephilipdavis_@khromacollective-9772

Ben Cardew spoke to French producer Malibu (a.k.a. Barbara Braccini) ahead of her gigs in Barcelona (April 14) and Madrid (April 15) about the profound impact of her live shows, music as a diary, growing up in a small town and the loneliness of LA. Line Noise comes to you with the support of Cupra.

Ben Cardew spoke to the don of techno, Mr. Jeff Mills, about Live at the Liquid Room, the importance of dancing, making music every day and more, when Jeff was in Barcelona for the Liquid Room anniversary tour. Line Noise comes to you with the support of Cupra. Photo by Yuichiro Nora.

To mark the release of his Stereolab book, Space Age Batchelor Pad Music, Ben Cardew reads 10 minutes from the opening chapter, in what is the closest you're probably going to get to an audiobook. Here, we discover why he wanted to write the book in the first place and what makes Stereolab so special.