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The Late Set

Nate Chinen, Josh Jackson
The Late Set
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5 de 23
  • Best Jazz of 2025 (So Far)
    We’ve reached the midpoint of 2025, and listened our way through well over a hundred albums. In this episode, we’re sharing half a dozen of our favorites.
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    37:05
  • Into the Amazon, with Amaro Freitas
    Pianist-composer Amaro Freitas creates music with a vivid sense of place. His native Brazil pulses through his most recent album, Y'Y, which mixes jazz with Afro-Brazilian and indigenous music, and the sounds of the Amazon. Freitas discusses this and more with Josh Jackson, in a deeply searching conversation recorded backstage at New York's Winter Jazzfest earlier this year.
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    44:13
  • New Pinnacle, with Brandee Younger
    The spiritual and the sensual find common cause in the music of harpist Brandee Younger. Before a recent show at Solar Myth, she sat down with The Late Set to talk about her instrument, her cohort, and her third Impulse! release, Gadabout Season, which finds her in exceptional form.
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    1:01:38
  • Run the Song, with Ben Ratliff
    "Running and listening can illuminate each other,” argues critic Ben Ratliff in a new book, Run the Song: Writing About Running About Listening. He recently sat down to talk about the book, its back story and his listening practice with friend and colleague Nate Chinen at Solar Myth.
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    1:00:16
  • Lost Coast, with Jenny Scheinman
    Violinist Jenny Scheinman grew up along Northern California’s so-called Lost Coast, and she carries its rustic charm and mystique in her music — even when it assumes a form as elegant as the songs on All Species Parade, her recent double album. She talks with Josh Jackson about the album and other matters before a recent performance with her band at Solar Myth.
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    46:10

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Sobre The Late Set

Jazz is a conversation — and that’s what The Late Set is all about. Originated by critic Nate Chinen and broadcaster Greg Bryant, the show now convenes Chinen and Josh Jackson twice a month for perceptive variations on a theme, and their related interview with a special guest. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.
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