Feature: How A24 became the major movie studio for indie filmmakers
A24 has solidified itself as the "indie darling" of film studios, gaining a sizable cohort of devotees (many of them young) who rep the studio's merch like fans of a rock band. Started in 2012, A24 made a name itself by releasing smaller art-house and art-house adjacent films in a time when the mid-size movie was quickly being shuffled from theaters to streaming. Some of the studio's early successes include Harmony Korine's Spring Breakers, Barry Jenkins' Moonlight, and Robert Eggers’ The Witch. The latter being a prime example of A24's unique business model: mid-budget movie gets a mid-size release with some edgy, digital-first marketing to turn a mid-size profit. But, as A24 has grown, so has its movies' budgets. We probably won't see an A24 Superman anytime soon, but the studio’s more recent in-house productions and festival acquisitions show a trend away from the indie films that helped set it apart. Today on FilmWeek, Larry speaks with culture editor for the New Yorker, Alex Barasch, about the rise and evolution of A24. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!
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FilmWeek: ‘Caught Stealing,’ ‘The Roses,’ ‘Sign ‘o’ the Times,’ and more!
Larry Mantle and LAist film critics Beandrea July and Claudia Puig review this weekend’s latest movie releases in theaters and on streaming platforms. Films: Caught Stealing, Wide Release The Roses, In Select Theaters The Thursday Murder Club, Streaming on Netflix Sign ‘o’ the Times, In Select IMAX Theaters A Little Prayer, Laemmle Royal [West LA] & Laemmle Town Center [Encino] Clearing the Air: The War on Smog, Streaming on PBS Griffin in Summer, Lumiere Cinema [Beverly Hills] Vice is Broke, Streaming on Mubi Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!
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Feature: Director Ron Howard talks about his new movie Eden
Ron Howard's filmography is diverse, a product of a four decades-long career in Hollywood. He has directed Oscar-winning dramas such as A Beautiful Mind, audience pleasing comedies including Splash and more recently, documentaries. Yet, despite his vast filmmaking career, Howard's newest film Eden, still manages to offer something different from the director. Based on a true story, the film follows a group of German settlers in the 1930s who travel to the Galapagos Islands looking for escape. Escapism soon turns to survival and a struggle for power. The film stars, Jude Law, Vanessa Kirby, and Ana De Armas. Director and producer, Ron Howard, joins Larry Mantle on FilmWeek to discuss the film Eden and how it fits into Howard’s larger legacy as a filmmaker. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!
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FilmWeek: ‘Honey Don’t!’ ‘Ne Zha II,’ ‘Splitsville,’ and more!
Larry Mantle and LAist film critics Claudia Puig, Christy Lemire, and Charles Solomon review this weekend’s latest movie releases in theaters and on streaming platforms. Films: Honey Don’t!, Wide Release Ne Zha II, Wide Release Eden, In Select Theaters Relay, In Select Theaters Splitsville, AMC Century City|AMC The Grove KPop Demon Hunters (Sing-a-Long), In Select Theaters Lurker, In Select Theaters Checkpoint Zoo, In Select Theaters Devo, Streaming on Netflix Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!
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Feature: How to adapt a film like Akira Kurosawa?
Akira Kurosawa is one of the world’s most revered directors, his films often cited as inspiration amongst other auteurs. Sometimes that inspiration has led to full-on remakes of Kurosawa’s films, such as Spike Lee’s Highest 2 Lowest (2025), an adaptation of Kurosawa’s High and Low (1963). Other adaptations of Kurosawa’s work include Seven Samurai and Yojimbo. Kurosawa himself liked to adapt pre-existing stories. Many of his films are interpretations of Shakespeare plays. Even High and Low is based on a novel. So how does one go about adapting and remaking a film by a great director like Kurosawa? How is the story updated for new audiences? And what kind of films lend themselves to adaptations? Today on FilmWeek, we discuss Hollywood’s attempts to remake some of Kurosawa’s most beloved films and what makes a good adaptation. Joining Larry Mantle is Peter Rainer, film critic for LAist and the Christian Science Monitor, Tim Cogshell, film critic for LAist, Alt-Film Guide and CineGods.com, and Charles Solomon, film critic for LAist, Animation Scoop and Animation Magazine. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!
FilmWeek on AirTalk, hosted by Larry Mantle, is a one-hour weekly segment devoted to films. It offers reviews of the week's new movies, interviews with filmmakers, and discussions on various aspects of the industry.
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