New Books in Art

Episódios Disponíveis

5 de 842

Arriving in a New Country
In this episode of the Language on the Move Podcast, Brynn Quick speaks writer, illustrator, filmmaker and Academy Award winner Shaun Tan. Shaun is best known for illustrated books that deal with social and historical subjects through dream-like imagery. His books have been widely translated throughout the world and enjoyed by readers of all ages. In the episode, Brynn and Shaun discuss his award-winning 2006 book The Arrival, which is a migrant story told as a series of wordless images. In the book, a man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope. For more Language on the Move resources related to this topic, see Life in a New Language, Discrimination by any other name: Language tests and racist immigration policy in Australia, Intercultural Communication – Now in the third edition, and Judging Refugees. If you liked this episode, be sure to say hello to Brynn and Language on the Move on Bluesky! For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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Mark Goble, "Downtime: The Twentieth Century in Slow Motion" (Columbia UP, 2025)
Slow motion is everywhere in contemporary film and media, but it wasn't always so ubiquitous. How did slow motion ascend to the dubious honor of becoming our culture's least "special" effect? And what does slow motion — a trick secured paradoxically through the camera's ever-racing speeds of capture — tell us about the temporalities and trajectories of modernity? Mark Goble, Professor of English at the University of California, Berkeley, takes up these questions in his latest book Downtime: The Twentieth Century in Slow Motion (Columbia UP, 2025), out now from Columbia University Press. In this conversation with Alix Beeston, Mark shares from his fascinating account of slow motion across film, art, and literature in the twentieth- and twenty-first centuries. For Mark, slow motion is a key index of a period of capitalist, ecological, political, and cultural crisis that we're still enduring — but that we hope will one day, however slowly, come to an end. Tracking bodies and things as they move fast and slow at once also prompts new reflections on the value of the time that academic labor takes, the nature of its uneven rhythms and contingencies, and why dad jokes, witty asides, and extended bits on the impotence of Clyde in the classic 1968 film Bonnie and Clyde might turn out to be essential to scholarly writing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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Christopher C. Gorham, "Matisse at War: Art and Resistance in Nazi Occupied France" (Citadel Press, 2025)
In 1940, with the Nazis sweeping through France, Henri Matisse found himself at a personal and artistic crossroads. His 42-year marriage had ended, he was gravely ill, and after decades at the forefront of modern art, he was beset by doubt. As scores of famous figures escaped the country, Matisse took refuge in Nice, with his companion, Lydia Delectorskaya. By defiantly remaining, Matisse was a source of inspiration for his nation. While enemy agents and Resistance fighters played cat-and-mouse in the alleyways of Nice, Matisse’s son, Jean, engaged in sabotage efforts with the Allies. In Paris, under the swastika, Matisse’s estranged wife, Amélie, worked for the Communist underground. His beloved daughter, Marguerite, active in the French Resistance, was arrested and tortured by the Gestapo, sentenced to Ravensbruck concentration camp—and miraculously escaped when her train was halted by Allied bombs. His younger, son, Pierre helped Jewish artists escape to New York; even his teenaged grandson risked his life by defying the Germans and their Vichy collaborators. Amidst this chaos, Matisse responded to the dark days of war by inventing a dazzling new paper technique that led to some of his most iconic pieces, including The Fall of Icarus, his profile of Charles De Gaulle, Monsieur Loyal, and his groundbreaking cut-out book, Jazz. His wartime works were acts of resistance, subtly patriotic and daringly new.Drawing on intimate letters and a multitude of other sources, Christopher C. Gorham illuminates this momentous stage of Matisse’s life as never before in Matisse at War: Art and Resistance in Nazi Occupied France (Citadel Press, 2025), revealing an artist on a journey of reinvention, wrenching meaning from the suffering of war, and holding up the light of human imagination against the torch of fascism to create some of the most exciting work of his career, of the 20th century, and in the history of art. Guest: Christopher C. Gorham (he/him) is a lawyer, educator, and acclaimed author whose books include Matisse at War and the Goodreads Choice Award finalist, The Confidante. He lives in Boston, and can be found at ChristopherCGorham.com and on social media @christophercgorham. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke Profile here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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Localisation of Islamic Arts in Malaysia
The Malay world boasts a wealth of diverse cultures. The arrival of Islam in the Malay world during the 12th to 13th centuries permanently transformed the aesthetic landscape, and even European colonisation could not stem this change. In this episode of the Nordic Asia Podcast, Prof. Julie Yu-Wen Chen from the University of Helsinki talks to Dr. Dzul Afiq bin Zakaria and Dr. Wahyuni Masyidah Binti Md Isa from the Faculty of Creative Arts, University of Malaya about the localisation of Islamic arts in Malaysia. They illuminate the core of Islamic arts, which view art as a reflection of their faith. In Islam, there is no fundamental distinction between spiritual and secular art, enabling the qualities of Islamic architecture and arts to rise above mere aesthetics and utility. Dr. Dzul Afiq bin Zakaria, a distinguished scholar and artist, possesses artwork that can be shared with our audience to elucidate the relationship between culture, philosophy, and the arts within the Malay world. Dr. Wahyuni Masyidah Binti Md Isa’s research employs Motion Capture technology to chart and conserve Islamic art. For example, Senaman Melayu Tua is a therapeutic exercise rooted in Malay culture. This exercise harmoniously integrates with both Malay culture and Islam, yielding comprehensive positive effects on the spiritual aspect by fostering inner peace, patience, and self-awareness. Her research utilises technology to visualize the micro-lines embedded within Senaman Melayu Tua. Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland). Chen is one of the Editors of the highly-ranked Journal of Chinese Political Science. Formerly, she was Editor-in-Chief of Asian Ethnicity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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Nicole Nehrig, "With Her Own Hands: Women Weaving Their Stories" (W.W. Norton, 2025)
In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women’s work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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