Ongoing History of New Music

• The Second Voice

  When you’re the lead singer in a band, you’re pretty much guaranteed to get all the attention…after all, you are the visual and audio focal point for pretty much everything… Yeah, there might be a hot guitarist or someone else flashy in the group, but for the 99% of the time, the spotlight is on you…which is fine if you’re the lead singer… But if you’re not?...what if you’re the schlep on bass or drums?...what if you’re the newest member of the band and you haven’t earned the right to claim any of the glare…maybe you have something to say…or maybe you have something to sing… Chances are you’ll get shouted down, ignored or buried…but not always…i’ve found some very, very good songs where the second voice in the band—or the third or the even the fourth has stepped-up big-time to grab centre stage, even for just one single song…and here’s the thing: you might not even know it… This is a look at some times when the lead singer took a step back and handed the mic to a second voice Learn more about your ad choices. Visit megaphone.fm/adchoices

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• The Original Ramones

  Friday, August 16, 1974, was a hot summer day in New York City…it was 31 degrees, but the humidity made it feel a lot hotter…and if you were down in the Bowery amidst all the concrete, it was hotter still...and it smelled. But what happened that night, when a bunch of punks took the stage at a scussy dive bar called "CBGB's", would change music forever. This is the story of the original Ramones. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Rock's Most Iconic Instruments

  Most of us probably go through a phase where we decide to make music for ourselves…maybe we’ll do it alone, or perhaps we want to be part of a band. The first thing you need to do is decide what instrument you will play…once you do that, you have to narrow things down to the exact make and model of that instrument. When you’re starting out, your dream instrument is probably out of reach financially, so you make do with whatever you can afford…but you never lose sight of one day owning an iconic rock’n’roll machine of some sort. It might be a guitar…and if it’s a guitar, you will inevitably have an opinion on amplifiers…perhaps you’re into keyboards…you might covet an expensive grand piano…or you have your eye on a particular line and model of electronic keyboard….the same applies to drums. So what are these iconic instruments? What instruments are famous and desired by musicians worldwide, regardless of their level of expertise ?...and what about these particular music-making things that make them so desirable? Let’s investigate…this is a look at the most iconic instruments—the goats of the tools of rock’n’roll. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Explaining Krautrock

  After World War II, Germany was destroyed…the country was divided…the east was under the control of the USSR…the west was in democratic Europe…and then there was berlin, sitting in the east but cut into different zones dominated by the Russians, the Americans, the British, and the French.  Most history books look at the political and military side of things…what we don’t hear about nearly as much as how Germany society was rebuilt…imagine being a young person who is too young to have been in the military…what prospects did you have growing up in a divided country ruined by war.  This is where art comes in…art is always downstream from whatever is happening in society…and in the case of West Germany, many artists wanted things to be different.  Young German musicians had some very serious ideas of what needed to be done…many were into rock…but they were determined to create rock that was different from what was being made in the UK and America.  And they certainly didn’t want anything resembling traditional German music…it had been tainted by the nazi legacy…it was time for something new, different, and away from the status quo.  There were experiments in the 50s that were pretty radical and, frankly, all over the place…but the results of these experiments began to coalesce into something by the end of the 60s.  Within a few years, something distinctly German had emerged…it rocked (in its own way)…it had elements of psychedelic music…things could either be extremely structured or open to wild improvisation…it certainly wasn’t from any blues tradition or normal rock conventions upon which British or American rock was built.  The structures of some compositions weren’t exactly what you could call normal—at least not in the context of rock…and occasionally, things got political, but not necessarily in a protest sense.  By the middle 70s, we had a new distinctly German sound…the scene was very diverse in terms of sonics, but there was a Teutonic purpose underlying everything.  The Germans just called it “German rock”…the British, however, gave it another name…it was supposed to be a joke, but the name stuck…and looking back, this sound, approach, aesthetic, and name can be found throughout many different corners of the rock.  This is an explanation of thing that has become known as a “Krautrock”…and believe me, you’ve heard it more than you realize. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Stupid History 2

  What do you remember from history class back in school?... Maybe a few dates and events…maybe the names some important people…and probably how dull a lot of history classes were.  I remember being inundated with a bunch of facts—which was fine (i guess), but it didn’t really make history come alive, you know? ...and it didn’t have to be this way.  History is more than this country going to war with that one, who married who to create what royal alliance, and which explorers went where to inflict harm on what indigenous people…there are many other branches of historical study. There’s social history, economic history, the history of science and technology, technology—and (my favourite) stupid history…these are stories of how civilization changed because of stupid people and stupid things…and if we were taught stupid history alongside all the record stuff, those classes would have been a whole lot more fun. For example, in 1545, winemakers in Saint-Julien, France, were in a panic because their vines were being eaten by weevils…these vineyard owners were so upset that they brought legal action against the bugs. This was all very formal…documents were drawn up and the weevils were appointed a defense lawyer by the court…there was a trial with a judge and when it was all over, the weevils were found guilty of, well, being weevils and eating grapevines. Almost a year later, the presiding judge issued a proclamation demanding that the weevils cease and desist with their ravaging of the vineyards…dumb, right?...but believe it or not, the weevils listened…the infestation stopped almost overnight. There was not any kind of weevil problem for 40 years…and when they showed up again in 1587, the vineyards again took the bugs to court… the result of that case is lost to time…i love it…that is wonderful stupid history. Music has its own stories like this…yes, there are things that require serious sober study…but then there’s also the stuff that makes you think “that really didn’t happen—did it?”.  Oh, yes it did…this is another round of stupid history, the music version. Learn more about your ad choices. Visit megaphone.fm/adchoices

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