Here's The Thing with Alec Baldwin

Our summer tradition at Here’s the Thing continues, as staff members choose their favorite conversations from the archives for our Summer Staff Pick series. This week, we revisit Alec’s conversation with Richard Kind. Single-handedly redefining the term “character actor,” the accomplished Richard Kind is surely one of the hardest working people in show business. His resume is unfathomably wide and deep, with over 270 film and television credits, spanning roles that exploit his killer comedic timing, like sitcoms “Spin City” and “Curb Your Enthusiasm,” and those that exercise his dramatic chops, like HBO’s “Luck” and the CBS procedural “East New York.” He’s an actor just as likely to appear in an Oscar-winning feature film as an animated one, to scene-steal a sketch comedy series as to star in an indie short. Kind is also a Tony-nominated stage actor, having appeared on Broadway in “The Producers,” “Funny Girl” and “The Big Knife,” among many others. Richard Kind speaks with host Alec Baldwin about the type of comedians that raised him, how he found his way to the profession after almost attending law school – and why he believes he is the “Costco of acting.”
See omnystudio.com/listener for privacy information.

Jon Tenney is a Juilliard-trained actor and director whose work spans film, television, and theater. Best known for portraying FBI Agent Fritz Howard on the hit TNT drama “The Closer”, Tenney appeared on the series for all seven seasons and directed episodes of both “The Closer” and its spin-off, "Major Crimes”. His television credits also include roles in “Scandal”, “True Detective”, “And Just Like That…”, and “The Lincoln Lawyer”. Tenney has appeared in films such as “I See You”, “The Seagull”, “Tombstone”, “You Can Count on Me”, and “Rabbit Hole”. A respected stage actor, he has performed on Broadway and at Lincoln Center in works by playwrights including Tom Stoppard and David Mamet. His latest role is on the new MGM+ comedy series “American Classic,” which was a labor of love for Tenney, who is also an Executive Producer in addition to a principal cast member alongside Kevin Kline and Laura Linney.
See omnystudio.com/listener for privacy information.

This week on Here’s the Thing, Alec talks with Grammy-winning guitarist Peter Frampton. “Sound is very inspirational to me,” explains Frampton – and it always has been: he started playing guitar before he was 8 years old.
Frampton talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.” Eleven years later, Frampton was on stage in San Francisco, recording "Frampton Comes Alive," one of the biggest selling live albums of all times.
Frampton also talks about the challenges of his extraordinary success: “I don’t think anybody can be ready for that kind of success,” explains Frampton.
Peter Frampton recently completed a 35th anniversary tour of Frampton Comes Alive – a DVD will be available later this year.
Originally aired July 15th, 2012.
See omnystudio.com/listener for privacy information.

Andres Veiel is an award-winning German filmmaker, writer, and director renowned for his incisive examinations of history, politics, memory, and moral responsibility. Trained in psychology before turning to filmmaking, Veiel’s acclaimed works include Black Box BRD, Beuys, If Not Us, Who?, and Riefenstahl. Sandra Maischberger is one of Germany’s most prominent journalists, broadcasters, and documentary producers. Best known as the longtime host of the political talk show Maischberger, she has spent more than three decades interviewing world leaders, artists, and influential public figures. Together, Maischberger and Veiel made the 2024 documentary Riefenstahl, which reexamines the life and legacy of filmmaker Leni Riefenstahl, director of Triumph of the Will. Drawing on newly uncovered archival material, the film investigates Riefenstahl’s relationship to the Nazi regime, the enduring power of propaganda, and asks the difficult questions surrounding her artistic achievement, complicity, and legacy.
See omnystudio.com/listener for privacy information.

Jon Robin Baitz is a playwright who admits that writing plays is tricky. He’s a snob for Broadway, where the cachet and laughs are bigger. But deep down, this award-winning playwright considers it a privilege to be working in American theater at all. Alec speaks to Baitz about his Broadway debut play, Other Desert Cities, that came from a place of despair and loss—and his own personal experience writing for television in Hollywood.
Originally aired June 4th, 2012.
See omnystudio.com/listener for privacy information.