Arquitetura Entre Vistas ABROAD

This episode, we travel to Madrid, Spain, to meet Alberto Campo Baeza.

He quotes Vitruvius, Cicero, and Goya. He speaks of gravity and light, of solids carved by light, of masses defined by time. For him, “architecture, poetry and music are very close, very difficult to separate.”

“Without light, architecture is nothing.” Light constructs time. Gravity constructs space. These are not metaphors, but tools, primary forces. As he puts it, “air is to music as light is in architecture.”

His ambition is disarmingly direct: “When I receive a new commission, I try to make the most beautiful house in the world.” And he makes it clear by saying that “beauty is not reserved to special people.”
Simplicity, for him, is not minimalism. 
Essential, logical, laconic.
“No more than necessary”, he says.

Guests: Alberto Campo Baeza (Madrid, Spain)
Host: Ana Catarina Silva (Porto, Portugal)

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This week we travel to Athens, Greece, to meet Konstantinos Pantazis, co-founder of Point Supreme, alongside Marianna Rentzou.

They claim that “architects nowadays have forgotten their larger social role” as it is not just about buildings but the city as a whole. And yet, the city is not singular. “Cities are made out of all of us, our different beliefs and desires.”

Their projects reflect this multiplicity and unfold as open systems.“Every project is like a sample of spaces, conditions, situations.” Not bound by scale. In fact, “we are not interested in any particular scale at all”, they say. But by the possibility of combining fragments, references, and realities. “We try to bring as much ideas, references and situations as possible.”
This openness is also a way of testing clarity. “We want our proposals to be understood by our grandmothers.”

This also extends to how they represent architecture. Their images are constructed worlds: collages of many painters, many photographs, many objects. “It’s not about aesthetics,” they insist. “It’s about allowing the viewer to be free from any particular association.”

It is not about controlling meaning, but about constructing frameworks where meaning can emerge. A strategy not to explain too much but to open things up.
Perhaps, in a time that struggles to imagine the future, their work doesn’t offer a single vision but something more collective: a space where many can emerge.

Guest: Konstantinos Pantazis (Athens, Greece)

Host: Ana Catarina Silva (Porto, Portugal)

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This episode, we travel to Zurich, Switzerland, to meet Pablo Donet, who together with Tim Schäfer and Tanja Reimerfounded Donet Schäfer Reimer Architekten (DOSCRE) in 2018.

Their work doesn’t begin with a manifesto. “It’s not about dogmas,” they say. “It’s things we find out by doing things.” Drawing becomes a way of thinking. “Only by drawing, and drawing and drawing again, you suddenly see something, and then you work on it.” Nothing is invented in isolation; everything is tested, evaluated, adapted.

Housing is their main field of experimentation. Project after project, typologies multiply rather than stabilise. What some might call constraints become productive triggers: “we try to take the full potential out of these limitations.” 

Multiplicity is not a weakness but a strategy. “We always fail to choose one image that transports the whole project, there is too much multiplicity.” Columns, windows, colours, plans: differentiation allows architecture to absorb contradictions instead of resolving them too quickly.

They speak of naivety as a tool, of identity elements as ways to compensate for what housing often lacks, and of Zurich as a place that appears progressive yet remains deeply conservative.

“We don’t have a language yet,” they admit. “Sometimes I wish we had.”
Perhaps the work lives precisely in that unresolved space.

Guests: Pablo Donet, DOSCRE (Zurich, Switzerland)
Host: Ana Catarina Silva (Porto, Portugal)

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This episode, we travel to Tokyo, Japan, to meet Yuji Mukaiyama, Alyssa Ueno and Yushi Sasada, founders of ULTRA STUDIO, established in 2018. As a young practice, they work from within contradiction; not to resolve it too quickly, but to let it shape the project.
“The client always wants something contradictory,” they say. Between one demand and another, they search for a bridge. “We try to move from problem A to B, this is our design process and part of the identity of the result.” From these tensions, “we always find some kind of abstract form.

The process begins with making. “In the beginning, we do a lot of models, some forms are very abstract.” Connections often emerge by coincidence. “The decision is not made by a master sketch; it’s something inside the process.” Keywords are shared, consensus slowly forms, and drawings evolve. “We are developing a new kind of drawing; not plan, section, or elevation, but something closer to an expanded elevation”. I’ll keep an eye on that. Who is with me?
Their projects resist linear explanation. “We don’t have a step-by-step process. We jump in and understand it almost backwards.” What matters, in the end, is perception. “Architectural form should expand how people see - not only designers, but users and viewers.”

Guests: Yuji Mukaiyama + Alyssa Ueno + Yushi Sasada (Tokyo, Japan)Host: Ana Catarina Silva (Porto, Portugal)

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Today, we travel to Rotterdam to meet Fokke Moerel, partner at MVRDV,  a practice known for questioning limits, expanding what architecture can be, and asking, relentlessly: “why not?”.

In their work, boundaries never arrive pre-set. “This kind of pre-set boundaries or rules is something that we don’t have.” Every project begins with orientation: “Where are we? First you have to understand where you are to know what you are going to react to.” And with awareness comes responsibility: “you are using a part of the planet, so you better use it well.”

Themes in the office evolve constantly, “sometimes they age, but they never stay the same”.
From rooftop landscapes to mirrored buildings that invite you to take a picture of the world rather than a selfie of yourself, MVRDV stretch the idea of what a building can host and who it can belong to.

“When should you stop pushing?” they ask. “Where can we go even further?” The Depot in Rotterdam answers this directly: an archive once thought to be only 20% accessible is now 95% open to the public; a building unafraid of its own “objectness” and iconicity.

After all, using Fokke words, architecture is about “celebrating every piece of life.”
Cheers to that.

Guest: Fokke Moerel, MVRDV (Rotterdam, Netherlands)
Host: Ana Catarina Silva (Porto, Portugal)

This episode is sponsored by J&J Teixeira.

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