GRAVEYARD DEAD: Chapter 8 Blood Meridian
Welcome to our discussion of Chapter 8...thank you for listening!!! This is a bit of a long episode and we appreciate you for even beginning to listen to it. We found some concerns including sacrifice, ceremony, identity, capitalism, redistribution festivals, gambling, and even a brief hint at Moby Dick...we may or may not have got to them, ha!
"Hark ye yet again,—the little lower layer. All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall?
To me, the white whale is that wall, shoved near to me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I'd strike the sun if it insulted me. For could the sun do that, then could I do the other; since there is ever a sort of fair play herein, jealousy presiding over all creations. But not my master, man, is even that fair play. Who's over me? Truth hath no confines." Ahab
Excerpt from TRICYCLE magazine, 2007,
From interview with poet M.S. Merwyn...
"The paintings in the Paleolithic caves? Those aren't art; they weren't there for an audience. Except the great halls, which were initiation places. But the tiny figures that were 25 feet up inside a cleft where nobody could ever see them, an animal that someone built in there? Those animals are part of the person who put them there, and that person came down knowing something, and this is the ultimate vision quest. And it didnt even begin with Cro-magnon man. We found five years ago in Southwest France a place quite near Lascaux with a history of it's own that has never been published because the scientist who discovered them- the government of France would not let him go on with his excavations. So he said "ok well I won' t publish my findings, then." And he hasn't. He's kept them going for years, and I talk to him on the telephone. What he found sixty feet down was a burial. It was not Cro-magnon. It was Neanderthal. It was probably, he thinks, 19,000 years older than Lascaux. (It) was a Neanderthal skeleton and beside it the skeleton of a bear. And the bear's legs and the mans legs were exchanged so that the man had bears legs and the bear had mans legs. And they were surrounded by fossil pollen. It was a ritual burial. That's a great scoop, and it hasn't even been published yet. But the reason i'm telling you this, is that this is already saying that the link between the imagination-which to me is the great pinnacle of humanity, the imagination that makes the arts and makes compassion- is in our species and goes way back. And it's never been separate. And when you get any aspect of the culture that tries to separate it, it's destructive and suicidal.
Take them away, names like Buddhism. I'm impatient with them. There's something beyond all that, beneath all that, they all share, they all come from. They are branches from a single root. And that's what one has to pay attention to. And of course the words in The Diamond Sutra that grabbed me were, when Tathagata (the Buddha) says, "boddi, does the Tathagata have a teaching to teach?" And Bodhisattva says," no, lord, Tathagata has no teaching to teach." At that point I got chills right down my spine.
And Tathagata says, " because there is no teaching to teach, it is the teaching." I thought this is it, you know. Here we go. I think that goes as far back as shamanism. I mean, what did those guys find up in those clefts? In the caves? There was no teaching to teach. They knew something, but they knew it from then on. And it was something distinct, and it was something to do with connection, with following, with what came before and after, and they couldn't express it in any other terms. But they were obviously guides to their people after that. Because you know, the animals that they were depicting were not the animals. I mean, they may have eaten a few of them. But that was not what it was about. It was about following, it was about the fact that these were the elders. They knew where they were going. The humans did not know where they were going."
Portugal