The Run-Through with Vogue

From sculptural updos, like those worn at the Golden Globes by KPop Demon Hunters singer EJAE, to the joyful, bright eye looks musician Zara Larsson has been embracing, exciting beauty trends are already emerging in 2026. With awards season just ramping up, Vogue beauty editors Margaux Anbouba and Arden Fanning Andrews joined Chioma on The Run-Through this week to share what they anticipate seeing on red carpets in the months ahead. 
When it comes to predictions, Arden is leaning into what she calls “romantic beauty”— soft makeup and windswept hair — inspired by the return of period dramas this year, including Wuthering Heights (don’t forget to join the book club!), Sense and Sensibility, set for release in September, and Netflix’s forthcoming Pride and Prejudice series. Margaux thinks we will be opting for “imperfect beauty,” meaning leaning into messier aesthetics online as a pushback against the rise of AI. Both editors (who happen to sport bobs themselves) once again said bobs are a trend to stay, even though they both plan to grow out their hair this year.
Earlier in the episode, Vogue Business U.S. editor Maddie Schulz breaks down what’s really going on behind the Saks Fifth Avenue bankruptcy and what fashion’s “reset” may actually look like. Plus, Chloe and Chioma share their takes on the menswear shows so far and reflect on the passing of the legendary Valentino Garavani.
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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We’re right in the middle of the Fall/Winter 2026 Menswear shows in Milan and Paris, so it’s only right that GQ’s Global Fashion Correspondent Samuel Hine joins us on The Run-Through!
Sam is a fixture on the menswear scene and writes the popular GQ newsletter Show Notes.. He shared all the trends, red carpet looks and shows he’s most excited about just before heading to Milan.
Other highlights on the Milan schedule include Prada, Zegna and Armani. Plus, 2025 LVMH Prize Winner Soshi Otsuki and designer Shinya Kozuka, who showed at Pitti Uomo in Florence.
The Menswear shows coincide with several major awards shows, and there have already been lots of looks that went from the runway to the red carpet this year. With the Oscars and Grammys coming up, we’re sure to see more runway looks on our favorite celebs.
In Paris, all eyes are once again on Jonathan Anderson’s Dior.
Hine told Phelps he expects to see a continued exploration of the “preppy classicism" we saw in Anderson’s Dior Men’s debut in June.
Another milestone of the Fall Menswear shows will be Véronique Nichanian’s final show for Hermès after 37 years as artistic director.
Hine said he is keeping a close eye on which shows the Heated Rivalry guys end up attending – Hudson Williams opening DSquared2 was major!
He also shared a bit about what’s coming next for GQ now that Will Welch, Global Editorial Director at GQ, announced he’s leaving the magazine on February 15th, and hinted at what to expect from this year’s GQ Bowl.
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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Fresh off a flight from LA, Vogue’s cover star, Amanda Seyfried is back in New York and on The Run Through to talk about award season!
“I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening.  “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” 
Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” 
Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she’s been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. 
“We've been wearing a lot of Prada and we decided to wear a Versace [to the Golden Globes], which is always trusted and beautiful and classic as well. 
Away from Hollywood, Seyfried’s wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.” 
 In The Testament of Ann Lee directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader.
“The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.”
While promoting the film, Seyfried’s 8 year-old daughter Nina was introduced to one of her mother’s earlier roles in the cult classic Mean Girls. 

“She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.”
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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The time has come for The Run-Through’s annual Golden Globes recap—and let’s just say, this one delivered. Not only did friend of the podcast Nikki Glaser return to the stage as the hostess with the mostest (with jokes Vogue deputy editor Taylor Antrim couldn’t get enough of), but we were also treated to a truly cheeky look from Teyana Taylor (Vogue predicts: the Year of the Buttcrack is officially here) and a standout awards-season red carpet debut from two of the most talked-about boys of the moment, Hudson Williams and Connor Storrie of Heated Rivalry.
Reporting early to share highlights from the night, Chloe, Chioma, deputy editor Taylor Antrim, and senior fashion and style writer Christian Allaire broke down the looks that won the evening. Bright colors emerged as a surprising trend, with Wunmi Mosaku’s bold yellow look—paired with a pregnancy reveal—standing out as a major highlight. Other memorable moments included Odessa A’zion in self-styled archival Dolce & Gabbana, Tessa Thompson in Balenciaga (serving real mermaid vibes, according to Chloe), and Colman Domingo in Valentino, complete with an abundance of brooches.
The group wrapped up by sharing their favorite wins of the night, with unanimous agreement that One Battle After Another is likely to be a frontrunner heading into the Oscars—and that Timothée Chalamet is a shoo-in for Best Actor. Plus, Chloe makes the case for why Zootopia 2 deserved a little more love. 
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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For someone who’s done a lot of horror movies, Rebecca Hall admits she’s a bit squeamish. That, however, didn’t stop her from taking on a role in the newest body horror series, The Beauty, which is set to premiere January 21st on FX.
Rebecca first learned of the series when she grabbed breakfast at Buvette in the West Village with Ryan Murphy (who created the show Matthew Hodgson) who enticed her with three things: a fun premise (an STD that makes you so hot that you explode, sign Rebecca up!), great clothes (The Row to be specific, and who could say no to that?) plus a list of fabulous filming locations: Rome, Paris, and Venice all making the list.
“He [Ryan] was very open to me. One of the joys for me of this job was that not many people asked me to just be myself for a character.” Rebecca told Senior Features Editor Marley Marius and Fashion Writer Hannah Jackson on Wednesday afternoon. 
This openness and collaborative spirit Ryan gives to his actors is what enticed Rebecca about working with him again on his series Monster, where she will play Lizzie Borden in which she called “entering her villain era” which was a lot of fun for her.
When Rebecca is not on the job, she finds great joy in painting (many of her works have been either sold or exhibited), watching The Real Housewives of Salt Lake City (for which her husband is getting around to understanding), and dressing up in “crazy outfits” in her day-to-day quiet upstate life.
Earlier in the episode, Chioma fills Chloe in about the behind-the-scenes of the new fabulous British Vogue cover with Jessie Buckley. They also chat what they are looking forward to about awards season and give a farewell to Will Welch who announced he is departing from GQ earlier this week.

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