New Books in Communications

This material and theoretical history of seriality shows it to be the
dominant form of culture since its inception within 19th-century print
culture, as both a media structure and a psychic one.

The serial
is everywhere. Commonly identified by the segmented release structure of
an ongoing narrative—from installments of Victorian novels to TV
episodes to comic books—seriality names the spread of installment-based
storytelling across a range of media. However, Ryan Engley argues that
seriality is not only a narrative structure but also a psychic
structure. Seriality—in its dependence on gaps, delay, and
constraint—names the fundamental trauma of contemporary life: that there
exists an intrinsic relation between self and other, a relation that is
often difficult to see and difficult to bear.

Through formal
readings of media texts alongside Freudian and Lacanian psychoanalysis,
the dialectical method of G.W.F. Hegel, and Jean-Paul Sartre's
existentialism, Seriality: Media and the Psychic Form of Everyday Life (Bloomsbury, 2026) shifts
the focus of seriality studies. In so doing, Engley presents a rebuttal
to the common refrain that our lives, like contemporary media, have
become endlessly fragmented. Rather, Engley finds, we have become
radically—serially—connected.

Ryan Engley
is Assistant Professor of Media Studies at Pomona College, USA, where
he teaches and researches the intersection of psychoanalytic theory and
media studies. Along with Todd McGowan, Engley co-hosts the podcast Why Theory, which brings Continental philosophy and psychoanalytic theory together to examine contemporary phenomena.

Helena Vissing,
PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California
and Associate Professor at California Institute of Integral Studies. She
can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
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What if AI’s biggest impact on journalism isn’t replacing journalists, but forcing us to rethink what journalism is for?

In this episode, Joanne Kuai speaks with Seth C. Lewis, Rodrigo Zamith, and Tomás Dodds, authors of Journalism in the Age of AI: From Acceleration to Reimagination (Polity, 2027).

For decades, journalism has been caught on a “hamster wheel” of
acceleration: producing more stories, for more platforms, with fewer
resources. AI promises even greater efficiency, but is doing more with
less really what journalism needs?

Lewis, Zamith, and Dodds argue
that the current AI moment offers something more consequential: an
opportunity to reimagine journalism itself. The conversation explores
what remains distinctly human about journalism when machines can
increasingly perform creative and cognitive tasks; how dependence on AI
companies and digital infrastructure is reshaping media power; what AI
means for journalism education and human judgement; and whether
journalism can harness these technologies in ways that strengthen,
rather than erode, its democratic purpose.

The conversation also raises a more fundamental question: is preserving journalism as an institution the goal, or should we rethink how society meets its information needs altogether?

Journalism in the Age of AI is available open access. Learn more and access the book here.

About the authors

Seth C. Lewis is the
inaugural Elcan Jefferson Scholars Foundation Distinguished Professor of
Artificial Intelligence and Media Studies at the University of
Virginia. Previously, he was the founding holder of the Shirley Papé
Chair in Emerging Media and Director of Journalism at the University of
Oregon. In his research, Lewis examines the social implications of
emerging technologies and their consequences for news and public life.

Rodrigo Zamith is an
Associate Professor and former Chair of the Journalism Department at the
University of Massachusetts Amherst. His research and teaching
interests lie at the intersection of journalism and technology, with a
focus on understanding the social implications of emerging technologies
for how news is produced, distributed, and consumed. He is a recipient
of UMass’ Distinguished Teaching Award.

Tomás Dodds is an Assistant Professor in Journalism and Mass Communication at the University of Wisconsin-Madison and the Director of its Public Tech Media Lab.
His research examines the evolving relationship between journalism and
technology, with a focus on how journalists and media organizations can
develop open-source tools and artificial intelligence systems that serve
the public interest.
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Hot Type: The Magnificent Machine that Gave Birth to Mass Media and Drove Mark Twain Mad (Bloomsbury, 2026) is the epic story of the magnificent 19th-century machine that rendered Gutenberg's movable type obsolete and opened the portal to the long century of mass media. The Linotype mechanized the 400-year-old process of setting type one laborious letter at a time, and thus ignited an explosion of newspaper, book, and magazine empires.This is a tale populated with wondrous characters: tragic inventors, malign media moguls, hand-typesetters called the Swifts who turned their craft into a spectator sport, and authors and journalists who chronicled the turmoil of their time, their every word molded into metal type by what some viewed as a thinking machine. This revolution in media technology helped to propel Mark Twain into literary celebrity, but it also cost him his fortune – as well as his sense of humor and optimism.The era of the Linotype was a bridge between Twain's Gilded Age with its tycoons of steam, steel, and wire and today's Gilded Age with its barons of bits and AI. Its history provides an opportunity to reflect on how technology changes culture just as new technologies – the internet and artificial intelligence –manufacture their endless streams of words today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise (U Minnesota Press, 2026), Dr. Vincent Haddad investigates how the franchise has maintained huge global demand despite its formulaic plotlines. Examining its exhaustive repetition of storytelling forms across comics, TV series, games, and merchandise, Haddad argues that the convergence of play, fandom, and narrative made Dragon Ball an unlikely success—and a harbinger of broader shifts in the media landscape of franchises from the 1980s to the present.

Dr. Haddad conceives of Dragon Ball as a “franchise toy,” a corporate media property that is constantly remixed by its fans in ways that its owners resist but also ultimately embrace: appropriation is essential to the franchise’s popularity. Over the past forty years, Dr. Haddad argues, Dragon Ball’s deployment of familiar tropes, cultural references, and narrative forms—from classical Chinese stories and the films of Bruce Lee and Jackie Chan to American franchises like Superman and Star Wars—has invited unique transcultural play. Through diverse examples of how fans use its characters as “playthings,” Dr. Haddad shows how Dragon Ball travels across international networked fandoms, highlighting the queer, gendered, and racialized dimensions of this play.

Parsing the dynamics of “sites of conflict” between authorized media and fan content, Next Time on Dragon Ball illuminates how fan engagement across the Americas changes the parameters of what a manga and anime franchise is and can be.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Media Matters in Landscape Architecture (Applied Research & Design, 2025) goes
behind the scenes to consider how media technologies that have emerged
in recent decades are shaping the practices of artists, designers,
engineers, and scientists. The media infrastructure of climate science
and Earth remote sensing, coupled with the increased availability of
spatial information and modeling software, provides the context for many
of the chapters in that the media and methods employed are designed to
capture phenomena that are not directly visible to human perception, and
where there is a high degree of uncertainty or changeability due to
dynamic material conditions. Co-editors Karen M'Closkey and Keith
VanDerSys bring together authors from a wide range of
disciplines—landscape architecture, media studies, science and
technology studies, history of science, engineering, ecology, and
architecture—to examine how the creation and use of data, images, and
models act as the mediums through which a particular understanding of
“environment” or “landscape” arises. This framing of environmental media
emphasizes the relationships among various design media and the
specific material and social environments within which they operate.
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