Gus Van Sant's 2nd feature, starring Matt Dillon, Kelly Lynch, James Le Gros, Heather Graham, William S. Burroughs, James Remar, and Max Perlich.
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247. 'Jeremiah Johnson' (1972)
Continuing the Redford Appreciation Episodes with a revisit of Sydney Pollack and Robert Redford's 1972 deceptively revisionist Western, 'Jeremiah Johnson'. Shaped by Redford and Pollack from an apparently off-the-wall John Milius screenplay, and only shot on location in the Utah wilderness through Redford's intervention with the studio, 'Jeremiah Johnson' is, I think, secretly one of everybody's favorite comfort watches.
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246. Robert Redford & 'All Is Lost' (2013)
JC Chandor's 2nd feature film after 'Margin Call' was 2013's sailing-catastrophe film 'All Is Lost', and it's a unique film in that it has virtually no dialogue and a single cast member in Robert Redford, who delivers a tour-de-force of non-verbal acting filled with pathos, regret, and rueful recognition of one's own self-delusions. As we continue to contemplate Redford after his death last week, it feels right and necessary to devote a few episodes to some Redford films that might be slightly off the well-worn pathways of The Sting and Butch & Sundance. Listen to Alex Ebert's extraordinary score for 'All Is Lost'
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245. Robert Redford is Dead at 89
I'm joined by Charles Fleming, LA-based writer, author and returning FCAC guest to talk about todays news of the death of Robert Redford. We discuss Redford's extraordinary career and difference-making life, including his environmental activism and the Sundance Film Festival and Institute. Redford was born in Santa Monica and after a peripatetic youth marked by extreme religious pressure, hooliganism, college expulsion, found himself in New York City planning to be a set designer. He stumbled into acting and paid his dues in the emerging TV world of the 50's before breaking out as a film star in the 1970's. His interesting combination of extraordinary good looks and inner turmoil lent his characters a similarity even as he was never just playing himself. His is one of the more interesting acting careers to contemplate, and Charles I try and do justice to the decency and morality with which Redford seemed to conduct his life and his work.
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244. Empathy and Revisiting 'Brother's Keeper' (1992)
Recent events have gotten me thinking about Roger Ebert's quote about movies being empathy machines, bringing us closer to people we might think we have nothing in common with. When I first saw the Berlinger/Sinofsky documentary 'Brother's Keeper' I was overwhelmed with empathy and heartbreak and humor and feeling for these odd-duck brothers and their ramshackle farm existence and the small town in Upstate New York that became roiled by a murder trial when one brother was accused of killing another by smothering. And so, not having seen the film in many decades, I wanted to revisit it, to see if it retained its power and ability to create empathy. In this episode I start with a brief prologue talking about first encountering the film. Then I pause and rewatch the film and come back on the mic to share my thoughts on seeing the movie anew. 'Brother's Keeper' is one of the first films I would mention to anyone who wanted to know what movies of any genre I held closest to my life as a moviegoer. If you've seen it, you'll know what I mean. If this podcast episode is the first you're hearing of it, I hope you'll give it a watch, and let me know what you think!
The Full Cast and Crew Podcast loves searching for that perfect, telling anecdote or soundbite from a writer, director, actor, or crew member as we revisit the films of our shared 70s and 80's childhoods with an appreciation for the cinematic arts and without pretension or annoying fan-boy antics. Proudly independent and advertising-free.
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