A is for Architecture Podcast

In this episode of the A is for Architecture Podcast, I spoke to scholar, activist, author and feminist totem, Leslie Kern, about Gentrification is Inevitable and Other Lies, which she published with Verso in 2022. In Leslie and my conversation we speak broadly about her work and approach, some themes from the book, and how resistance is not just necessary, but possible too.
in 1964 Ruth Glass, in her introduction to London: Aspects of Change, named the phenomenon: ‘One by one, many of the working class quarters of London have been invaded by the middle classes—upper and lower. Shabby, ‘modest mews and cottages—two rooms up and two down—have been taken over, when their leases have expired, and have become elegant, expensive residences. […] Once this process of ‘gentrification’ starts in a district, it goes on rapidly until all or most of the original working class occupiers are displaced, and the whole social character of the district is changed […] The invasion has since spread.’
Glass implied that what is presented as urban improvement is in fact a reassertion of class hierarchy in spatial form. In recent years things have moved on, away from what might be seen as an evolutionary process of cultural and economic enrichment , where artists, bohemians, thinkers and web designers find space for their creative praxis. Now the market makes it, and the government spends its taxes to make it more likely to occur. 
Leslie can be found on her website, linked above, as is the book.
If you want and can, please support the A is for Architecture Podcast by listening in and sharing it, or by either subscribing via links in the podcast description. 
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Music credits: Bruno Gillick 
Image credit: Ambrose Gillick.

Frederick Kiesler was an Austrian-American architect, artist and theorist who, born at the tail end of the nineteenth century, bore witness to the irresistible rise of modernism in architecture and alongside it, the pyrrhic victory of amoral, individuated thinking, revealed so starkly in the mania of colonialism and the horrors of its implosion in the first half of the twentieth century.
In this episode of the A is for Architecture Podcast, I spoke with Spyros Papapetros, Associate Professor of Architecture at Princeton University, and Gerd Zillner, Director of the Frederick and Lillian Kiesler Private Foundation, Vienna, about the great man, and particularly about his hitherto unpublished opus, Magic Architecture: The Story of Human Housing, compiled between 1944–1946 and now published for the first time by MIT Press.
Conceived as a Neo-Vitruvian treatise, and an implicit rival to Le Corbusier's Vers une Architecture from 1923, at the heart of the book is Kiesler's central concept of magic architecture which rejected the functionalism and efficiency of Corb, Buckminster Fuller, and modern planning. Instead, Kiesler proposed an alternative history of housing grounded in magic, ritual, dream, and the integration of animal instinct with human creativity, arguing that the deepest purpose of architecture is not physical shelter but spiritual and psychological protection — the creation of dwellings that answer humanity's fundamental fears, desires, and sense of the unknown. So, prescient indeed.
If you want and can, please support the A is for Architecture Podcast by listening in and sharing it, or by either subscribing on Patreon or making a gift via Buy Me a Coffee.

Bellerophon, son of Poseidon and Eurynome, slew the Chimera and, full of hubris, believed he had a rightful place on Mount Olympus among the gods and set off there on his winged horse, Pegasus. Zeus did not like this and sent a gadfly to sting Pegasus, which threw Bellerophon, who fell back to Earth and died. 
The story of modernism has maybe been a little tinged by hubris too. We have defeated all the monsters, presented an architecture and urbanism which proclaims it will do away with social and pathological ills, if only we would let it, and thus deserves a place among the deities. But perhaps, as covid showed, modernism has somewhat over-played its hand. The monsters got amongst us again. 
In this episode of the A is for Architecture Podcast - the 200th - I spoke to the great architectural historian and theorist, Beatriz Colomina, Howard Crosby Butler Professor of the History of Architecture at Princeton University, about some small parts of the recently published book, Sick Architecture, which she edited with Nick Axel, Guillermo S. Arsuaga and e-flux Architecture and published with MIT Press. In the book, 35 essays from around the world present ways architecture has both engaged with sickness as illness, but also as structure, logic and motivation.
If you want and can, please support the A is for Architecture Podcast by listening in and sharing it, or by either subscribing on Patreon or making a gift via Buy Me a Coffee. 
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Music credits: ⁠Bruno Gillick 
Image credit: Borja Sanchez-Trillo/Comunidad de Madrid via Getty Images.

If one were to be the sort of inelegant person to point such things out, one might point out that despite all the egalitarian rhetoric, we still live in an architectural culture that cultivates dominance, not in the sense of dominion as rooted in domus, home, but in the dual senses of control and territory. The star architects we are assured we must look to, the big, bold, challenging buildings they erect, condition folk to see a casual way of acting act relative to ecologies, economies, cultures and justice as normative, ideal, something to believe in.
In this episode of the A is for Architecture Podcast, I spoke to Professor Hilde Heynen professor of architectural theory at the Katholieke Universiteit Leuven, and Professor Lucia Pérez-Moreno, Professor of History and Theory of Architecture at the University of Zaragoza in Spain. 
Together, Hilde and Lucia have gathered together a number of Hilde’s most significant essays in a new book, Architecture & Feminist Critical Theory: Selected Writings by Hilde Heynen, published by Leuven University Press in 2025 and which tracks an evolving position, which emerges out of critical theory into feminist theory and latterly towards an environmental justice, but always proposing another way of seeing things in search of another path, one that is subtle, integrated, just and with just a little less man character energy.
Hilde is on LinkedIn can be found at work, Lucia does do the socials and can be found on Instagram and on LinkedIn. The book is linked above.
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Music credits: ⁠Bruno Gillick 
Image credit: Source: Sibyl Moholy-Nagy, Matrix of Man.

Despite the fact that theorists probably live in one, homes are rather poorly theorized. Why is this so? Perhaps it is the ascent of the domestic in capitalist bourgeois culture – the world within a world – that makes them the seat of late modernity’s subjective turn which, in its turn, made home personal, and therefore ungeneralisable. Who knows.
What I do know is that architect, writer and associate professor in the Department of Urban Policy and Planning at Hunter College, New York, Stefan Al has written a new book on them, Dwelling on Earth: The Past and Future of the Places We Call Home, published with W. W. Norton but nine days ago on April 14th 2026, and which makes for the subject of this newest episode of the A is for Architecture Podcast. 
Dwelling on Earth is a good book beautifully illustrated by David M. Dugas spanning two million years, from the caves and huts of our forebears to high-rises to 3D-printed houses of… tomorrow? Structured around the four major transformations that we use to describe human history - agriculture, urbanity, industry and now, sustainability, the book poses another meta question, one architects and writers have reflected upon more than somewhat: What is it to dwell? And, to be precise, is a home different to a house? 
Stefan can be found at work here, on his own website here and on Instagram and LinkedIn. The book is linked above.
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Music credits: ⁠Bruno Gillick 
Image credits: Main: Marrakech, ©David M. Dugas.  
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