PodcastsArteAudiation in the Wild

Audiation in the Wild

Beau Taillefer, Eric Rasmussen
Audiation in the Wild
Último episódio

106 episódios

  • Audiation in the Wild

    S05-E09-The Stages of Preparatory Audiation pt 1

    10/06/2026 | 26min
    Hosts:

    Eric Rasmussen, PhD in Music Education, Temple University. 

    Three-year student of Dr. Edwin E. Gordon.

    Chair, Early Childhood Music, Peabody Preparatory, Johns Hopkins University

    Author of Harmonic Learning Sequence curriculum:

    Dr. Eric's Book of Songs and Chants including Harmonic Learning Sequence. See Dr. Eric's course schedule and register here. TeachMusicToKids.com

    Email Dr. Eric: Teachmusictokids@gmail.com

    Beau Taillefer - Guitarist (jazz and classical), music educator, intellectual
    https://www.youtube.com/@beautaillefermusic
    https://www.beautaillefer.ca

    Email Beau: info@beautaillefer.ca
  • Audiation in the Wild

    s5-e8-Direct Instruction with special guest Laura Doherty

    05/06/2026 | 1h 4min
    Hosts:

    Eric Rasmussen, PhD in Music Education, Temple University. Three-year student of Dr. Edwin Gordon. 

    Chair, Early Childhood Music, Peabody Preparatory, Johns Hopkins University 

    Author of Harmonic Learning Sequence curriculum:
    Dr. Eric's Book of Songs and Chants including Harmonic Learning Sequence. See Dr. Eric's course schedule and register here.
    Email Dr. Eric: Teachmusictokids@gmail.com

    Ron Malanga - Gordon and MLT aficionado. A science nerd who loves being a music teacher, & vice-versa, Mr. Malanga leads an eclectic musical life.  Passionate about re-aligning pedagogy with recent science on how the musical mind functions, he has led 100+ seminars on the subject, including as an invited lecturer at the New University of Lisbon, as a keynote speaker for SciFest Dubai, and most recently for the BSME Music & Drama Conference and Institut Gordonowski in Poland. Email Ron: ron.malanga@gmail.com
    See Ron's Blogpost on rhythm here.

    Beau Taillefer - Guitarist (jazz and classical), music educator, intellectual 
    https://www.youtube.com/@beautaillefermusic
    https://www.beautaillefer.ca
    Email Beau: info@beautaillefer.ca
  • Audiation in the Wild

    s05e07-MLT Piano

    13/04/2026 | 37min
    See host contact information at the end of these notes.
    Music Learning and Student Commitment

    Beau and Eric discussed Beau's consideration of assigning "Mastery" by George Leonard to new students to address impatience in learning. Beau shared his process of conducting initial lessons with potential students before confirming their commitment, acting as a filtering mechanism. They briefly touched on the challenges of learning music, emphasizing that significant skill development takes time. The conversation ended with a lighthearted discussion about playing a specific piano tune and a decision to discuss piano further.
    Music Learning Theory Distinctions

    Beau and Eric discussed the distinction between capital MLT and lowercase mlt, with Eric explaining that capital MLT refers to traditional music learning theory taught through established methods, while lowercase mlt is broader and includes any music learning that experiments and personalizes the approach in classrooms. Eric had recently presented this concept to the New England GIML chapter and received positive feedback. The conversation ended with Beau asking about Gordon's perspective on the piano's role, though this question was not answered in the transcript.
    Marilyn White-Lowe’s Piano Curriculum Impact

    Beau and Eric discussed the impact of Marilyn White-Lowe’s piano curriculum, particularly how it has been more successful than other instrumental music programs in public schools. They noted that keyboard players tend to be more engaged in classes and more open to learning from each other compared to other instrumentalists. The conversation also touched on the effectiveness of visual diagrams, particularly piano diagrams, in teaching keyboard players, and how these serve a concrete purpose when teaching by rote without focusing on notation.
    Musical Instrument Teaching Methods Discussion

    Beau and Eric discussed teaching methods for musical instruments, particularly piano and guitar. They explored the use of visual diagrams and technology like VR headsets to aid learning, but expressed concerns about over-reliance on these tools at the expense of developing ear skills. Eric shared his experience teaching piano to young students using a more intuitive approach, focusing on rote learning and singing while playing, rather than heavy notation. Beau also mentioned his experience teaching a mix of instruments and found that teaching songs by rote worked well, especially for piano students learning classical pieces.
    Piano Teaching Methods Discussion

    Beau and Eric discussed the benefits of teaching piano using an ear-based approach, particularly for learning resting tones and harmony. Beau highlighted how the piano's layout makes it easier to play multiple voices simultaneously compared to other instruments like the guitar. They also discussed the unique advantages of piano for studying harmony and coordination, with Eric sharing his experience of using the instrument to teach children songs.
    Piano in Musical Development Discussion

    Eric and Beau discussed the role of piano in musical development and audiation. Eric shared his experience teaching young children about musical tones, while Beau described how playing piano helped him understand harmony and voice leading, particularly after a pivotal moment when he mapped out chords on a piano despite not knowing their names. Both participants reflected on formative musical experiences, with Eric recalling learning "Black Orpheus" by Doc Severinson as his first tune learned by ear.
    Music Composition and Learning Discussion

    Beau and Eric discussed music composition and learning, focusing on Chopin and Agustin Barrios Mangore. Beau shared his experience teaching a simplified version of Chopin's Minute Waltz to a student who lacked technical ability for the full piece. The conversation highlighted how deep musical understanding can evolve over time, with Beau noting how his current harmonic knowledge allows him to analyze Chopin's compositions differently than when he was a teenager learning the pieces.
    Piano Discussion and Coding Updates

    Beau and Eric discussed getting a piano guest on their show and shared their views on the importance of pianos in homes for children to explore. They also talked about Eric's coding efforts, specifically fixing sound files, and his upcoming blind date. Beau shared insights about a Chopin progression he was analyzing with a student, noting the modulation techniques used. 

    Hosts:

    Eric Rasmussen, PhD in Music Education, Temple University. Three-year student of Dr. Edwin Gordon.
Chair, Early Childhood Music, Peabody Preparatory, Johns Hopkins University
Author of Harmonic Learning Sequence curriculum:
Dr. Eric's Book of Songs and Chants including Harmonic Learning Sequence. See Dr. Eric's course schedule and register here.
Email Dr. Eric: Teachmusictokids@gmail.com

    Beau Taillefer - Guitarist (jazz and classical), music educator, intellectual

    https://www.youtube.com/@beautaillefermusic

    
https://www.beautaillefer.ca

    
Email Beau: info@beautaillefer.ca
  • Audiation in the Wild

    s05e-06-AI and Music Education

    09/04/2026 | 1h 8min
    Summary

    Transcribing Solos and Ear Training

    Beau and Eric discussed the topic of transcribing solos, which often comes up in their audience's questions. They considered whether it was a niche topic or relevant to many people trying to improve their ear training. Beau noted that people who find audiation outside of MLT frequently ask about this practice, suggesting it might be worth discussing. They also briefly touched on the topic of singing intervals, which Beau mentioned was another common question.

    AI Tools and Education Trends

    Eric and Beau discussed the idea of creating a 100th podcast episode and explored potential topics, including technology integration in education, AI in music, and emerging trends. They agreed to focus on AI for their discussion, with Eric sharing his experience using AI tools like Socratic for client knowledge base development. Despite some skepticism from Beau about AI's current benefits, they decided to lay out the current state of AI tools and their potential applications.

    AI in Music Education Challenges

    Beau and Eric discussed the role of AI in music education, expressing skepticism about its current effectiveness. They noted that many people use AI as a quick reference tool, but this often leads to a superficial understanding rather than substantial learning. Eric shared his experience developing an app using AI, highlighting the challenges and frustrations encountered along the way. Both agreed that while AI has potential, it should not be relied on as a substitute for traditional learning methods in music education.

    Music Learning App Development

    Eric described his development of a music learning application that allows users to play chord sequences in different levels of difficulty and meters, with parental consent required for users under 18. He explained how he used Claude, an AI assistant, to learn and develop the application over several months, despite initial challenges with other AI tools. Beau noted the cost-effectiveness of Eric's approach compared to hiring a coding team, and discussed the potential impact of such tools on music education, predicting an increase in ear training apps and online music curriculums.

    AI in Music Education Applications

    Beau and Eric discussed the potential and limitations of AI in music education, particularly focusing on ChatGPT's inability to collaborate in music practice. They explored the development of Eric's app, Champ, which aims to guide users through music learning theory, contrasting it with the need for advanced musicians to use AI as a sounding board for practice. They also highlighted the use of AI as an enhanced search engine for finding music pieces and its application in other fields like bridge training. Eric shared his experience with Socratic, an AI platform where he provides answers to questions on his work, emphasizing its potential for educational purposes.

    Hosts:

    Eric Rasmussen, PhD in Music Education, Temple University. Three-year student of Dr. Edwin Gordon.

    Chair, Early Childhood Music, Peabody Preparatory, Johns Hopkins University

    Author of Harmonic Learning Sequence curriculum:

    Dr. Eric's Book of Songs and Chants including Harmonic Learning Sequence. See Dr. Eric's course schedule and register here.

    Email Dr. Eric: Teachmusictokids@gmail.com

    Beau Taillefer - Guitarist (jazz and classical), music educator, intellectual
    https://www.youtube.com/@beautaillefermusic
    https://www.beautaillefer.ca

    Email Beau: info@beautaillefer.ca
  • Audiation in the Wild

    Pros and Cons of Music Notation-Part 2

    15/03/2026 | 27min
    See host contact information below.

    Musical Notation: Challenges and Insights

    Beau and Eric discussed the challenges and limitations of musical notation, particularly in capturing elements like swing and accents. They explored how notation can serve as a practical tool for practice and technical development, even when a musician can audiate a piece from memory. The conversation touched on how notation reflects a Western perspective and can influence how musicians perceive and interpret music, highlighting both its benefits and limitations in capturing the full essence of musical expression.

    Music Notation and Jazz Improvisation

    Beau and Eric discussed how music notation can influence how musicians conceptualize and play music, particularly in jazz improvisation. Beau explained that notation often encourages focusing on individual notes over rhythmic phrases, which can lead to poor improvisation. They explored how notation lacks symbols to clearly indicate tonality changes, and discussed various musical modes like Dorian and Lydian. The conversation touched on how some composers like Stravinsky would theoretically invent musical concepts and then learn to audiate them.

    Music Notation and Rhythmic Learning

    Beau and Eric discussed the differences between learning harmonic and rhythmic elements in music. Beau explained that while notation can be a useful tool for mapping out harmonic ideas and helping with audiation, rhythmically it is more challenging to teach oneself to audiate without hearing examples. They explored how notation software can help with rhythm by playing back complex patterns, though Beau noted that the music isn't truly internalized in the same way as with harmonics. The conversation concluded with Eric suggesting using YouTube videos to learn complex rhythmic patterns and syllables.

    Music Notation as Sound System

    Eric and Beau discussed the differences between symbols and sounds in music notation, with Eric explaining that notation represents sounds rather than symbols. They explored how chord symbols can be audiated in different ways, and Eric shared his experience learning from a jazz musician named Jim Holton in Philadelphia. The conversation highlighted the importance of understanding musical notation as a system of sounds rather than symbols, particularly in the context of learning music theory.

    Music Notation and Cognitive Processes

    Eric and Beau discussed the role of notation in music, with Eric sharing insights about a jazz musician friend who thinks primarily in terms of voice leading when looking at chords. They explored how notation can be limiting yet valuable, with Beau sharing an example of encouraging students to analyze lead sheets with different chord changes. The conversation concluded with a discussion about the proportion of spoken versus written language compared to music, and they agreed to potentially revisit this topic with Ron in a future meeting.

    Eric Rasmussen, PhD in Music Education, Temple University. Three-year student of Dr. Edwin Gordon.

    Chair, Early Childhood Music, Peabody Preparatory, Johns Hopkins University

    Author of Harmonic Learning Sequence curriculum:
    Dr. Eric's Book of Songs and Chants including Harmonic Learning Sequence. See Dr. Eric's course schedule and register here.

    Email Dr. Eric: Teachmusictokids@gmail.com

    Beau Taillefer - Guitarist (jazz and classical), music educator, intellectual
    https://www.youtube.com/@beautaillefermusic
    https://www.beautaillefer.ca

    Email Beau: info@beautaillefer.ca
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In-depth, investigative conversations about how music is learned. Occasional guests from experts of music pedagogy.
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