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Dialogues: The David Zwirner Podcast

David Zwirner
Dialogues: The David Zwirner Podcast
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  • Dispatch from a Humanities Field in Crisis | with Darby English
    With higher education facing existential threat under the current administration, Helen Molesworth speaks to art historian, critic, and educator Darby English about the difficulties of understanding this precise moment and the importance of discourse, independent thought, and history. Darby English is the Carl Darling Buck Professor of Art History at University of Chicago and the author of numerous books, including Among Others: Blackness at MoMA (2019), 1971: A Year in the Life of Color (2016) and How to See a Work of Art in Total Darkness (2007).
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  • Joan Mitchell at 100 with Julie Mehretu and Eileen Myles
    On the occasion of Joan Mitchell’s centennial year, Helen Molesworth speaks to artist Julie Mehretu and poet Eileen Myles about what Mitchell’s life and work means to them.  Julie Mehretu, (b. 1970, Addis Ababa, Ethiopia) is an artist who lives and works in New York City. Mehretu is the recipient of numerous awards, including the Officer of the Ordre des Arts et des Lettres by the French Ministry of Culture in 2025, the MacArthur Fellowship in 2005, and the U.S. Department of State Medal of Arts Award in 2015. Eileen Myles (they/them, b. 1949) is a poet, novelist and art journalist whose practice of vernacular first-person writing has made them one of the most recognized writers of their generation. Pathetic Literature (anthology) and a “Working Life” (poems) are their most recent books. They live in New York & in Marfa, Texas. Visit the Joan Mitchell Foundation to learn more about their global centennial programming.  Corrections:  At 17:21 Helen Molesworth mentions the writer Jen Quilter; the correct name is Jenni Quitler. At 22:53, it should note that Joan Mitchell used a device she called a "diminishing glass" to get a visual sense of works as if seen from a greater distance. Explore Joan Mitchell (Yale University Press, 2021) for further research and reference.
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  • Julianne Moore
    Academy award-winning actor and writer Julianne Moore goes in depth on her craft, the art of filmmaking, and passion for design.  Julianne Moore has starred in numerous award-winning films since the 1990s, most recently in Pedro Almodóvar’s The Room Next Door.
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  • Annabelle Selldorf, Architect to Artists
    Celebrated architect Annabelle Selldorf on her life and work, which includes numerous cultural spaces, from commercial galleries to major museums.  Selldorf Architects's most recent project, a critically acclaimed expansion of the Frick Collection in New York, opens to the public on April 17, 2025. David Zwirner’s new Chelsea building at 533 West 19th Street, also designed by Selldorf Architects, will open May 8 with a solo exhibition by Michael Armitage.
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  • Re-release: The Legacy of Ruth Asawa
    Helen Molesworth invited artists EJ Hill and Sarah Sze to listen to archival audio interviews with Ruth Asawa and discuss her ideas and art. Ruth Asawa: Retrospective, the first major posthumous retrospective of the artist, will be on view at SFMOMA from April 5–September 2, 2025 before travelling on to the Museum of Modern Art in New York, to the Guggenheim Bilbao in Spain, and to the Fondation Beyeler in Switzerland. Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s. Ruth Asawa: Retrospective is on view at SFMOMA from April 5, 2025-September 2, 2025. EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024. Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.
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