Street Shots Photography Podcast

"The more pictures you see, the better you are as a photographer”.
- Robert Mapplethorpe

"It’s a weird combination that makes a great picture. It’s a complete mystery to me."
- Alec Soth

 

In this episode, Antonio and Ward talk about recent exhibitions, photobooks, and the ongoing evolution of their work. Ward shares his experience seeing large Fred Herzog prints in person and describes the impact of standing in front of that rich, immersive color. The conversation also turns to Tetsuo Suzuki’s latest book and the emotional intensity that can come from sequencing images into a cohesive, almost psychological body of work.

Antonio reflects on presenting “The Fourth Epoch” to the Park West Camera Club, discussing what it means to publicly trace the arc of his creative life and speak openly about transition and change. Along the way, they briefly touch on the visual possibilities of photographing hockey, but the heart of the episode centers on seeing, sequencing, and how photographers make sense of where they’ve been—and where they’re headed.

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Show Links:

 

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

 

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“Your photography is a record of your living, for anyone who really sees.”
– Paul Strand

"We are judged, not by the photographs we take, but by the photographs we show."
– Ted Grant

 

In this episode, Antonio and Ward move from recent shoots into a thoughtful conversation about what photographers are really responding to when they raise the camera. Antonio shares his growing excitement around astrophotography, from capturing Jupiter’s moons to photographing the Orion Nebula for the first time, and how even familiar subjects feel personal when you experience them firsthand. He also talks about a recent portrait session that reminded him how much intuition, pacing, and human connection still matter in photography, no matter how advanced the tools become.

The heart of the episode revolves around a simple but powerful idea: photographers often end up photographing their own temperament. Ward reflects on how darker, moodier work in Japan drew him in based on what he was feeling and noticing in the streets, while Antonio connects his quieter Brooklyn images to the grief and inward focus he was living through at the time. Together, they explore how environment, emotion, curiosity, anxiety, and even life transitions subtly shape what each photographer sees and chooses to frame. Rather than chasing trends or external goals, the conversation lands on the idea that our photographs often mirror where we are mentally and emotionally — whether we realize it or not.

Addendum: Yes, Antonio is fully aware that there are words ending in double “ff.” His brief confusion is being attributed to something like lack of sleep, brain fog, or possibly too much Banff-adjacent riff-raff talk. It happens. Forgive and move on.

 

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Support the show by purchasing Antonio’s Zines.

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Show Links:

 

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

 

 

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"The Chinese have a theory that you pass through boredom into fascination and I think it's true."
― Diane Arbus

“If only we could pull out our brain and use only our eyes.”
― Pablo Picasso

In this episode, Antonio and Ward talk about what happens when your photography starts to feel flat, and why boredom isn’t always a bad thing. They kick around the idea that boredom can be a signal to slow down, stop forcing work, and let your eye reset on its own. The conversation also touches on how the camera can act as a kind of shield, especially when photographing difficult or emotionally loaded situations, and how that distance affects both the photographer and the images being made.

The second half of the episode turns to color, specifically dye transfer printing and why it still holds so much weight in the history of photography. Using photographers like William Eggleston, Irving Penn, Joel Sternfeld, and Ernst Haas as touchstones, they talk about how dye transfer created a physical, almost unreal richness that modern processes struggle to match. From there, the discussion opens up into a broader reflection on growing as photographers—what you stop chasing over time, how your instincts change, and why learning to sit with uncertainty can quietly push the work forward.

Video of dye transfer process.

 

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Support the show by purchasing Antonio’s Zines.

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Show Links:

 

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

 

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"Passion is in all great searches and is necessary to all creative endeavors."
― W. Eugene Smith

“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.”
― Scott Adams

 

In this first episode of 2026, Antonio and Ward ease into the new year by talking about making physical photo objects and what it feels like to see work finally leave the screen. Ward shares the experience of producing a small, full-bleed black-and-white zine from his recent time in Japan, focusing less on explanation and more on mood, sequencing, and how images start to speak to each other once they’re paired on the page. They talk about living with images, resisting the urge to over-edit, and trusting instinct over feedback loops or social media response. The idea of the zine as a tactile object keeps coming up—not just as a container for photos, but as something meant to be held, revisited, and experienced slowly.

Antonio then shifts to a different kind of learning curve, talking about taking a drone pilot course and what it’s been like to approach photography from the air for the first time. He describes the mix of technical study, regulations, and hands-on flying, along with how that knowledge changed his confidence and mindset. What stands out most isn’t the gear or the video potential, but the photographic possibilities—new patterns, unfamiliar perspectives, and the quiet strangeness of seeing familiar landscapes from directly above.

The episode closes with Antonio reflecting on photographing protests in his new community and what it means to document events you’re personally part of. He talks about choosing to show up with a camera, navigating trust and visibility, and how being present as both participant and photographer changes the way images are made. The discussion touches on empathy, history, and the tension between observing and taking a stand.

Subscribe to our Substack Newsletter

Help out the show by buying us a coffee!

Support the show by purchasing Antonio’s Zines.

Send us a voice message, comment or question.

 

Show Links:

 

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

Ornis Photo Website 

The Unusual Collective

Street Shots Facebook Page

Street Shots Instagram

 

 

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"Don't shoot what it looks like. Shoot what it feels like." 

     – Unknown/Commonly Attributed 

“I am not interested in shooting new things – I am interested to see things new.”

    – Ernst Haas

 

In this year-end episode of Street Shots, Antonio and Ward take some time to reflect on the past year and how their photography has been shaped by it. They talk about recent projects, photo books that left an impression, and how changes in place, access, and pace have influenced the way they see and make pictures. Rather than chasing trends or noise, the conversation leans toward slowing down and paying attention to what feels honest and sustainable.

They also discuss using newer tools, including AI-based image critique, as a way to better understand their own work — not for answers, but for reflection. The episode settles into a thoughtful conversation about distance, presence, and the quiet shifts that happen when photographers trust their instincts and give themselves permission to evolve.

 

Subscribe to our Substack Newsletter

Help out the show by buying us a coffee!

Support the show by purchasing Antonio’s Zines.

Send us a voice message, comment or question.

 

Show Links:

 

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

Ornis Photo Website 

The Unusual Collective

Street Shots Facebook Page

Street Shots Instagram

 

 

Subscribe to us on:

Apple Podcasts

Spotify

Amazon Music

iHeart Radio

Deezer

Podcast Addict