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The Am Writing Fantasy Podcast

Am Writing Fantasy Productions
The Am Writing Fantasy Podcast
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  • Introducing: Write the Story podcast
    A brand-new podcast from Autumn Birt and Jesper Schmidt, the creators and hosts of the Am Writing Fantasy podcast. This limited series is eight episodes long, dedicated to make you a better writer and understand story structure better. You get to listen in on Autumn and Jesper's conversations as they plot a short story from scratch. It's a behind the scenes look at the process of creative writing. Simply search for 'Write the Story' in your podcast app, or visit the website here: https://www.writethestory.show/, to get started right away.
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  • Join our First EVER Writer’s Getaway in 2023
    Come for three days of writing workshops, writing time, one-on-one coaching, and group activities. Leave with a completed short story to be included in a published compilation, polished writing skills, and new author friends. Sure, writers are often introverts, but aren’t you tired of everything happening online? We are! Plus, you can learn more and improve your writing skills faster with a select group of writers (no more than 40!) along with personalized coaching. Be warned, this is not going to be one of those events where you simply show up, listen to a bunch of PowerPoint presentations, and then head back home by the end of the weekend. No! We want you to actually complete a work of fiction. During this weekend, all attendees will jointly worldbuild a setting for a story together with five elements which everyone needs to incorporate into the story along with a character. Each participant will then write a short story between 1,000 and 10,000 words. Along the way, we’ll cover writing aspects such as worldbuilding, character development, plotting, outlining chapters, and more… all of which you’ll get to use that weekend. By Sunday afternoon, all stories will be handed over to us, Autumn and Jesper, and we’ll then get them all edited and have a cover made for inclusion in a compilation made free for readers! We’ll do all the final work—you just need to come, learn, have fun, and write the story. YES! You’ll get a published piece of work and a bunch of new author friends to help you promote it. The benefits of this Getaway doesn’t end on Sunday—not by a long shot! Check out the registration page and the full event schedule here: https://www.amwritingfantasy.com/getaway-2023/    And just in case you're interested, here's the link to our brand-new novel, Magic Unleashed: https://books2read.com/MagicUnleashed    As mentioned, we're also working on a new podcast for you. Find it here: https://www.writethestory.show/ Make sure to subscribe in your podcast app, so you don't miss any episodes once we start releasing them.    Stay safe and happy writing.
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  • This is the End. And here‘s Why.
    We've unfortunately come to the end of the Am Writing Fantasy podcast. In this short brief, you'll learn why and where to go from here.
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  • The AmWritingFantasy Podcast: Episode 154 – Publishing and Writing Fantasy in Today‘s Market
    The New York Times bestselling author, Anthony Ryan, joins the Am Writing Fantasy podcast for a discussion with Jesper about fantasy writing, publishing, and marketing books in today's publishing landscape.   Find Ryan's books here: https://anthonyryan.net/   Tune in for new episodes EVERY single Monday.  SUPPORT THE AM WRITING FANTASY PODCAST! Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review.  Join us at www.patreon.com/AmWritingFantasy. For as little as a dollar a month, you’ll get awesome rewards and keep the Am Writing Fantasy podcast going.  Read the full transcript below. (Please note that it's automatically generated and while the AI is super cool, it isn't perfect. There may be misspellings or incorrect words on occasion). 0 (2s): You're listening to The Am. Writing Fantasy Podcast in today's publishing landscape, you can reach fans all over the world. Query letters are a thing of the past. You don't even need an literary agent. There is nothing standing in the way of making a living from writing. Join two best selling authors who have self published more than 20 books between them now on to the show with your hosts, Autumn Birt and Jesper Schmidt. Jesper (30s): Hello, I'm Jesper. And this is episode 154 of the Am Writing Fantasy podcast. And Autumn is putting the finishing touches on editing our next novel today. So instead I'm joined by a New York times bestselling author, Anthony Ryan. And normally when I do these interviews, I have like a massive time difference, Anthony, but not today because I think you're in the UK or something. Is that right? Anthony (58s): Yes. Almost instantaneous. Jesper (1m 4s): Yeah. And it's, and there's even light outside my window today, which I'm not used to when I do podcast recordings, but you are you're from Scotland originally. Is that right Anthony (1m 17s): Originally? Yes, I don't sound Scottish, but I was born then spent most of my childhood there. Jesper (1m 24s): I would actually love to visit Scotland one day. I've been to the London and stuff like that multiple times, but I've never been to Scotland and it's just like the scenery there. It's, it's almost a bit fantasy inspiring sometimes. Isn't it? Anthony (1m 39s): It is obviously if you, if you grow up there, you have a different view of things. You don't know you growing up in it, you know, I see landscape the, yeah. Obviously, you know, as a true Scott, I recommend everyone should go to Scotland at least one. Jesper (2m 1s): Yeah. I would really love to go one day, but perhaps before we sort of get started for real here, maybe you could just share a few words about yourself, Anthony, and just talk a bit about what you're writing and maybe how you got into writing. And so on Anthony (2m 17s): Anthony Ryan, the also the raping shadow trilogy, the cottage Memorial, Trelegy blatantly the covenant of steel, excuse my most recent work and I, which is what I'm currently working on. I got published. I self published back in 20 11, 20 12 and was persuaded to go the traditional route when my first novel blood song took off and been a full-time author since the end of 2012. So yeah, this is what I always wanted to do. Anthony (2m 57s): And I consider myself really to be able to make a living doing what I love to do. Jesper (3m 4s): Yeah, that'd be pretty cool. So you have, you have some stuff that you publish and some stuff that is traditional puppets. Is that still the case today? Anthony (3m 14s): Yes. I don't do that much self publishing these days. It's usually one or two things a year, if that, and it's usually a short work, it's a novella or short story or something like that. Full length works with pretty much always traditionally published these days. And to be honest, given the time and I'm sure, you know, better than I do the time it takes to do self publishing. Well, it's a lot of time. It's a lot of efforts to do it properly. And frankly, that was the time to do all sort of being traditionally published for the most part. Anthony (3m 55s): It suits me quite well. Jesper (3m 59s): Right. And you're with penguin IO Anthony (4m 2s): These days is mostly all wet, a little and brown, I believe, but I'm still, you know, technically published by a switch is part of a penguin. So, you know, it's a thing with traditional publishing. You can be a bit confusing with all the different contracts and everything, but I don't think meters care that much, you know, you publish your next book. So yeah. Yeah. Well, within the national publishers as well, got a lot of different contracts and things with various different publishers around the world can be a bit hard to keep track of them all. Jesper (4m 45s): Yeah. But then coming from a situation where you have experience with both the traditional side of publishing, but as well as some self publishing, what would you, sorry? Well, you touched upon this slightly there, but what would you say is the pros and cons of each of those two approaches? If somebody is sort of listening to this and debating, should I do one or the other? Anthony (5m 8s): Well, it's weird. I think the advantages of self publishing are the disadvantages of self publishing of the same things. The advantages are you have to do everything. You know, you do everything yourself. You have complete control over everything. The disadvantages are, you do everything yourself and you have complete control over everything. So, you know, it's, it's a lot of work basically to self publish. We're new at officially published. You will have an editor who works for a publisher. Who's a professional editor. You won't have to hire them yourself, which can be very, probably the most expensive part of the process for self publisher. Anthony (5m 48s): Especially if you're starting out, you know, a professional editor doesn't come cheap. And if you're writing epic fantasy, I mean, and the charge by the word, I mean, typically in the 200,000 word range, paying somebody a word by word basis to edit one of my novels. That's a lot of money would be very expensive for me. So publish as well as very time consuming. But you do, I think with self publishing, you do get control over the control you get. I know we'd be telling you attractive for a lot of people. If you know, I'm a bit of a control freak, I'm not too bad, but I can't be obsessive about details. Anthony (6m 33s): And if you're that kind of person, self publishing is probably going to see it quite well, especially when it comes to cameras and cover design and you know, book descriptions and all that kind of thing. So yes, the advantages are that say are the same as a disadvantage, it's all on you. Or you either do it all yourself or you pay people to do it when you're traditionally published. Some of the burden is taken off you because you're not paying for you are an editor, a cover designer and all of the, Jesper (7m 6s): Yeah. And I'm also thinking maybe what about reread with gods to the editing itself? I mean, of course when you are self publishing, you, as you said, you hire the editor and basically you can just decide what to ignore, what to agree to, whatever, whenever the editor tells you something, but with the traditional publishing, is it more in your experience that you have to more accept what the editor is pushing on you? Or can you still, do you still have the freedom to say like, like, no, that's not going to, I'm not going to change this or that. Anthony (7m 40s): Unfortunately, I've never got to the point where I vehemently disagreed with us in the editors have told me there is a back and forth and other things we don't, you know, sort of mindless things don't always agree with when it comes to word choice, you know, cutting smaller scenes or something like that. But there have been times when I've been asked to do more substantial rewrites and others, some books don't require a lot of work at the editing stage and others do I take the view that these are professional people who've been doing this for entire life and it would be foolish of me to ignore their advice. Anthony (8m 22s): If I ever got to the point where it is vehemently disagreed with what they were asking me to do, I would say, so we did have a discussion, but you know, as of yet, it hasn't come up where it really just completely at loggerheads and can't reach an agreement. I don't know what would happen if we got to that point, you know, contractually, you know, they can reject the book and then they want to have advanced back. We haven't asked, but yeah, that's, that's always the nuclear option, but it it's extremely, rather than the publishing world, you know, for that to happen, you know, it can happen sometimes when you get controversial figures, who've been given large Southerns to write a memoir or something. Anthony (9m 10s): And, you know, especially with the insist on not having a ghost writer. Oh yeah. I've heard stories of people submitting manuscripts that were just unreadable tripe, and then wondering why the, you want to do advance back can happen. But yeah, when it comes to professional writers, people who wrote fiction for a living, it's very, very rare. And as yet, luckily for me as it come on, hopefully no. Jesper (9m 39s): Yeah, no, I agree. And of course it's also a matter of, I mean, of course some editors could be difficult to work with, but so could some authors, right? It could also sometimes be the author who just makes a big deal out of something where the editor might be actually quite fair in what they're asking Anthony (9m 56s): And I'm never going to nitpick over commerce or, you know, stuff like the semi-colons in the wrong place of don't get excited about that. You know, when it comes to, you know, the overall arch arc of the plot and stuff like that, it's, you know, it's pretty rare for them to have a problem with it. In my book, there's been a few things about have, by my own admission, I've gone down the wrong route. I've gotten down a kind of blind alley when it comes to plus and tried to get over and being a bit too convoluted. A good editor will point that out. Anthony (10m 37s): They don't. Yeah. They don't come back and say, oh my God, this is a pile of crap. Where was wrong with you? You get what's called the compliment sandwich. The first paragraph is, oh, this is really great and so on. But the second paragraph is now here's some things I think needs some work. And then the third paragraph is once again, and this is really great novel and I look forward to publishing it. So they always bracket where they actually want to tell you, it's some nice words, sweeten the bell. Yeah. Jesper (11m 9s): But what does your actual writing process look like? Anthony (11m 14s): What I'm writing on right. Every day I rarely have days off. And my thing has to do with when life just gets in the way. So I will, if I have a doctor's appointment or something, or have to do something with family, then, then I'll, you know, I will take time off. But when I'm actually working on book, most of the time I write every day, don't actually produce a huge amount of words on a daily basis. But because I write every day because I'm consistent, you know, it looks from the outside, like I'm quite prolific and I've have reached at least one book a year for the last 10 years, which is a bad, I'm not actually that fast. Anthony (11m 58s): Right. But I haven't consistent. My average word count in these days is about 1200 words a day, but I'm doing the thing where, you know, I use Scribner as my main writing program. And it has, it tells you how many words a day you need to do to reach you or a word goal by a certain date. And these days they just tend to stick to that. And long as you're consistent, as long as you speak to it, it works. Yeah. I don't do a lot of, you know, actually sitting in front of the computer and actual time spent sitting in front of your computer. Anthony (12m 40s): Writing is relatively minimal, but I do do a lot of pacing around my living room. And you know, I remember Stephen fried at the British, you know, comedian and author. He said that writing consists mostly of making coffee for me, even though I drink tea rather than coffee, there's a certain amount of truth in that. There's a lot of things. Jesper (13m 7s): Yeah. I was, I was myself through a, maybe I could call it an experiment, but quite recently, over the last six months, I, because I I'm also at the place short of where you are. I, I, I tend to, I don't really count my word count, but I, I write half a chapter a day because I feel like that's what I can get done in maybe about two hours. And in two hours after that, I feel like my creativity really goes down. But then I heard a lot about many authors who like, are really prolific, you know, the people who write like 5,000 words a day and stuff like that. So I thought like, let me try that. And then I tried to look into all the stuff that they did to increase their word count. Jesper (13m 50s): And I really, you know, pushed myself. And I just came to the realization after a while. I probably tried it for like two, three months. And then by the end of it, I was like, I don't enjoy this anymore. You know, I want to take my time with it. I want to sort of think about what I'm writing. I don't want to just plow ahead. I don't know, for me, it just, it, it moved, removed all the enjoyment of the writing process to try to do it faster. So yeah, Anthony (14m 22s): And also just might be mundane, but I'm not getting any younger. My hands I've typed a lot of words in my life. And after a while it hurts and I don't get on well with dictation software or anything like that. I don't write long hand fast enough to write that. Well, you know, I can write 85 words a minute long hand write eight. So just say my hands are quite happy to not trying to do the 5,000 words a day saying if you can great, if you comfortable for you, good for you. Anthony (15m 5s): You know, but I think probably done photos in words once in a day when I was running up against deadline and it wasn't fun. It definitely would. Jesper (15m 18s): No, I mean, I think when speaking about writing processes, it is really about finding your own sort of what suits you. Of course. I mean, of course, if you have like physical things, like your hands are hurting, then you have to respect that. But, but more in general, I mean that some people enjoy writing fast, other peoples don't. And I think it's actually good in my view to try to experiment with different approaches when you're starting out to figure out what works for you, but then something will probably be something you prefer versus something else. Anthony (15m 48s): Definitely. I think there's no one size fits all when it comes to writing, you have to find it. Yeah. You have to experiment, find what works for you. And I think a lot of people do read whatever their favorite writing book is. Stephen King's on writing or, you know, save the cat or wherever it is and the bank, well, Stephen King writes 2000 words a day. Therefore I must write 2000 words a day. If you've never done that, it's a big ask. You know, it's a big thing to do if you're just not used to it. So, you know, my advice for novice writers is to find your comfort zone and actually embrace the comfort zone. Anthony (16m 32s): Don't try and push yourself too much because what you're doing is difficult. And a lot of the time, especially with people who have jobs, they have families, it's carving out the time. You need to write it, come easy. All you can manage your day is half an hour and you do 500 words by 500 words a day adds up to love words after a year. But yeah, find, find your own comfort zone. Embrace. Not all. We'll give you at least a benchmark to, you know, you know how to push it. You know, you know, if you need to do more, whoever reason then you'll know just how much more you need to do, but tends to be what I tell them. Anthony (17m 15s): Younger writers anyway. Jesper (17m 17s): Yeah, no, I think it's a good advice. And because of as well, the, you know, you've written for quite a while, and as you said, you've written a lot of words, but do you ever feel like when it comes to getting story ideas and so on, do you ever feel like you get stuck in the same loop with the same kind of ideas? Or how do you go about getting fresh ideas? Anthony (17m 39s): You have absolutely no problem with new ideas. To be honest, if we could turn off the idea factory in my head, I would for a while, at least, cause it was a while ago I tweeted, I had 26 books. I could probably start writing tomorrow. If I wanted to. That's probably got up to about 35 now because it just never stops. I just never stopped getting ideas. Ideas are the easy bit for me. Anyway, I'm actually coming up with stories to match the ideas. That's the hard bit, the ideas. Yeah. It's really, I don't go looking for inspiration. Anthony (18m 19s): It always finds me whether it's a television documentary or whether it's, you know, something I saw on the news or just, you know, something I'd read somewhere that I can't even remember where it all goes through my head and just comes together with ideas and they never stop. I'm probably going to shuffle off this mortal coil with a lot of books unwritten, which, and there's not a lot I can do about it. It's just the way it is. Jesper (18m 49s): No, you know, it's funny that you say that because I think when people looking to get into writing or start to write, they worry about this idea thing. But, but because I have it exactly the same way as you do. Well, you know, I have a notebook where I write down when I get ideas and just so chock-full of ideas, it's just like, I don't know. That must be 20 novels in there as well. And I will probably never get to half of them. I don't know. But, but getting ideas is like one of the favorite things that people think about a worry about in the beginning, but, and maybe don't ask some people who are finding it difficult to get ideas. I'm not saying that that doesn't happen, but I have also through this podcast, talk to a lot of different authors by now. Jesper (19m 35s): And I'm yet to hear an established author say that I don't know, I can't get ideas. You know, everybody seems to be flooded with them. Maybe that's part of what makes us writers. I don't know. Anthony (19m 48s): I think it is a thing it's probably something innate to people who do this for a living or at least have the potential to do it for a living is, you know, never running out stories. So this thinking in those terms, I guess you could probably train yourself to do it if you tried hard enough, but it does seem to be something that's just innate with me. You know, even as a kid, I was remember telling the kids go stories at playtime school and Clustered around me and I just make them up on the spot, you know, quite easily. Cause ghost stories are easy, especially when you're telling kid there was a house, it had a ghost in it. Anthony (20m 33s): But yeah, in terms of getting stuck in the same ideas occurring, I'm always keen not to repeat myself. I don't want to be writing the same book over and over again. You know, another summarize have a formula, a character and series of books and those books follow a formula. I don't think there's anything wrong with that. As long as you can keep it fresh, if you're just writing the same book over and over again and you know, rubbing the serial numbers off and making it a little bit different, you know, I think that's going to get very Dallas. It get very Del for me, nevermind the reader. Anthony (21m 14s): And I think fortunately tend to have the imagination. It doesn't get stuck in a rut too much. So it does. I do tend to think outside my own as well as not every idea I get is not for a fantasy novel science fiction. It's hard crime as well. Kind of like to get around to all of those yamas at some point, if we're going to find enough time to write. Jesper (21m 40s): Yeah. Why did you decide that it was fantasy that you wanted to write originally? Anthony (21m 48s): It's just so general. It probably appeals to me more than all others and it might be my, I thought a lot about wine. I think it might be because it's essentially limitless. You can do anything with it, depending on how you construct the world making up a yeah. There's, there's nothing limiting you. You can, you're not constrained by history. You can bowl from history. And I do all the Diana I steal shamelessly from real world history because it's presenting it in the context of fantasy. It doesn't matter so much. There's no copyright on history. You can take all you want. And also you can take away all the inconvenient, messy bits, keep the good bits. Anthony (22m 32s): You know, the realities of history. History is always messier than people think it is. And it never conforms to the myths that people can't do around it in the UK at the moment, there's a lot of people spinning the stallion myths about Britain's past and prior role. You know what we did in the second world war or as my that. And it's clearly being spun by people who don't have a real grasp of what history is or what that particular history was. It's mythmaking, it's not his, but I think from a novelist point of view, especially even if you're presenting it in a fantasy context, you have to engage with the realities of, who's not the mess. Anthony (23m 20s): Otherwise it's not going to be convincing the messiness of history. I think I'd try and reflect even on quite, you know, ruthless and cutting away on the calf and just taking the exciting birds. Still have to go thinking, reflect the messiness on. Jesper (23m 37s): Yeah. And I, I also think, I mean, of course I, you know, I, as part of fantasy, I, I do of course love all your wizards and the magic and, and all that good stuff. But the other part on a more practical level is also as a fantasy author. I feel like it's because I don't want to get bucked down into research about how does this gun work or, or, you know, all those kinds of, or this particular city that the characters now go to that I've never been to. I don't want to do all that research in fantasy. I can just make it up. And that's quite wonderful. Anthony (24m 12s): Yeah. That being said, I do, I do research. I've done because my second series, a, the draconian memoria was set in that sort of industrialized world, even though it was a fantasy world, it was industrialized and they were fighting with guns rather than salts. So the defense of research on guns for that, and here's a tip for you. If you put guns or anything related to guns in YouTube, be prepared for them to bombard you with all sorts of extremist nonsense. We looked at one gun video and within a day, YouTube had decided I was a white supremacist who hated women judging both were recommending me. Anthony (24m 52s): So it's kind of staggering out the algorithms work, Jesper (25m 1s): But yeah, it's a bit scary. Anthony (25m 3s): It is. Yeah. You can see a lesson in how people get rid of medicalized. So stop recommending this to me button quite a lot now. Jesper (25m 15s): Yeah. I can see that. Yeah. It's been a few years though, but, but I, I read the waking fires some years back the waking fire and I very much enjoyed it and it has dragons in it. So that's always good. But what I, why I'm bringing that up is because we were talking a bit about Writing Fantasy and we were talking a bit about what kind of stories to write and so on. And because you have also written and published quite a lot of books, I'm wondering if you, if you see some common tropes within fantasy, that readers seems to like more than others. Jesper (25m 55s): I mean, dragons could be an example, but how do you see the success of your different books? Like, is there like commonalities that the books that has dragons in them or something else are usually more liked by readers than others? Or do you have any views on that? Anthony (26m 10s): I think some people definitely because it requires Memorial, it was guns rather than So that steam ships, you know, air ships and stuff, some people immediately assumed it was steampunk. And it kind of is. And I don't mind if people call it that, but there are people that just won't read anything. It's got steam punk attached to it and a fantasy readers. You only want the songs, even if it has dragons in it, they just want the swords, you know, the medieval setting rather than industrialized setting, which is fine each to their own, you know, but I try not to be constrained by as a writer, readers have their preferences and that's fine. Anthony (26m 51s): But for me as a writer, I do, I do want to be able to write what I want to write, you know? Yeah. And the drugs from the lawyers didn't sell as well as my other series. So it's sold reasonably well for what it is there wasn't in his big numbers because it wasn't, I think fall into what an epic fantasy series was supposed to be. You know, you're supposed to have people riding around on horses, in air ships, you're supposed to, you know, armies fighting great battles with, you know, dragons might be part, but it also supposed to be hordes of saber wielding barbarians and all of this and kind of wasn't in there. Anthony (27m 41s): But I don't think you can, or you should be constrained by redirect expectation. You should write what you want to write because you can never really anticipate what they want. You know? So it's like apple, you know, apple as a company famously doesn't do market research. It makes the things it wants to make itself. People don't know what they want and you can do it. And there's famous examples of then Coca Cola. When they came out with new Coke, they did immense amounts of research and focus groups and market research about, yes, there's definitely a market for new Coke and people want new Coke. Anthony (28m 24s): We put out new Coke, people hated it. Nobody wanted it. It was one of the biggest flops in commercial history. You can't anticipate what they want and you can't try and give them what they want. And you can only write when you write, I think at the end of the day, if it hits it hits is not alive. So you do buy that. I don't think there's anything wrong with writing to market. If you can, don't expect everyone to be a winner just because you write to a certain market. Cause you think, you know, a few years ago it was about empires and umpire romance. Anthony (29m 4s): But just because it's invoked, it doesn't mean it's going to hit for you. You can never really, there's no such thing as a shoe. If I hated in publishing or in anything else. Jesper (29m 14s): No, I fully agree with you there. There's definitely no guarantees one way or the other. And I also agree that it is incredibly important to write something you are passionate about because yeah, like we talked about writing a novel, it takes a lot of time. It takes a lot of effort. So even a month later, you are sort of tired of the thing because it wasn't really your thing. Anyway, then you're never going to get to the end. But of course, if you can find some, some overlap between what the market or the readers want versus what you like, then that's probably a good place to focus. I would say, because at least if you look at like streaming services, Netflix and so on, they pump out the same stuff over and over and over again. Jesper (29m 59s): Right. Because readers or viewers in this case, we want what we, what we know we like, we want the same thing just in a new package. A lot of the time. I mean, when you're trying to do something that is very different. Not always, but most of the time it flops also on Netflix. Anthony (30m 19s): Yeah. I think as a creative though, you can, if you're proud of it, if you think it was good, you're, you know, you're happy with it. That's the most you can expect, you know, if it sells itself, it's great. It's really great for itself. But really from a creative point of view, you, you have to be happy with it. Otherwise what's the point for me anyway, you know, I couldn't there's certainly John was, I couldn't write in, cause I don't read them and I'm not excited about them. No. Yeah. No disrespect to romance authors, but I couldn't write a romance novel to save my life. Anthony (31m 1s): I wouldn't know what the hell I was doing. Me attempting to write a romance novel would be an insult to the young, the, you know, perhaps desperate for money. And I tried it it'd be a disaster. Yeah. So I think you have to be a fan of where the genre you're writing it. And it helps if it's a commercial yarn, you know, if it's very niche, it's going to have a hard time making a living at it. That doesn't mean you shouldn't write in it, but you know, just be aware that it's, it doesn't mean that nobody owes you a living is another thing. Nobody gonna drive a dump truck up to you for DOR and give you a load of money for no apparent reason. Jesper (31m 47s): Ah, that would be nice. But given your years in the writing business, less industry here, are there some changes that you've noticed over the years? Like is there stuff that is very different now compared to what it was when you got started? Anthony (32m 9s): Yeah. The basic publishing process, the process you go through hasn't changed that much. And the contracts are, you know, they're still using pro forma contracts that say you have to provide a written typed manuscript on double spaced paper and all that it's in the contract, but nobody ever does that. You send them an email with an attachment like everybody else. But what I have noticed is, you know, an increasing embracing of digital formats by probably they seem to be taking what I would consider a more realistic approach to pricing of, of eBooks. Anthony (32m 51s): And so obviously it's been a bit of an explosion in audio books, audio books are now much more important. And when I started, you could probably negotiate a different contract, separate contract for your audio book, as opposed to print. And e-book these days, no, none of the major publishers will allow you we'll give you a contract unless you're willing to sell them your, your audio rights. You can't take them away and sell them yourself and they won't do it. You get all the manual fallout so that they're not interested. And I think that's probably true of even the biggest names in the industry. That seems to be a bit of a hard line when the publishing industry, because they've realized that audio books are profitable. Anthony (33m 34s): They're very profitable if they're done well, you know, as a digital item to sell audio books are kind of perfect. You have a reasonably high value and a cost comparison to a print book. Don't cost that much to produce. There's a cost baggage. You have to pay an actor to do them, but you know, it's not as cost-intensive I think, as a print book. So yeah, explosion of audio is probably the biggest thing that I've noticed, but also, you know, publishers using social media for marketing and, you know, various different ways of exploring marketing in a digital age. Anthony (34m 18s): They weren't doing so much of that when I started, but they definitely aren't. Jesper (34m 24s): Yeah. And I think as well there, the audio book explosion is also very much linked to nowadays. Many people are way too busy in their life. So audio book is then like, like podcasting, you know, it's something you can listen to while you're doing other things. And I think in part that's why it has taken off in the sense that it has or to the degree that it has, because it, it just goes better with a busy lifestyle than sitting down to read a book. Nobody has that much time anymore. Unfortunately. Anthony (34m 56s): Yeah. I mean, I'm, I'm, I'm a fan of audio books or certain authors or Stephen King these days. I only do Stephen King audio books. I don't read his books. I only listen to the audio books for him. There's a few others as well. So I find this my preferred format for memoirs, you know, comedic memoirs and that kind of thing, especially when it's written, but it's read by the author. A lot of comedians do audio books a few days, which quietly. Jesper (35m 26s): Yeah, there was something else I wanted to mention here before we, before we wrap things up because I was on your website earlier today. And then I saw a menu item called map room. And that really triggered me because I absolutely love fantasy maps. And it was so wonderful to see an entire webpage on the, on the website dedicated to maps from your books. I really liked that. Anthony (35m 53s): Yeah. I'm a big map fan as well. I draw my old, my own maps for the books and you know, so there's no copyright issues with me putting them on my website. And if you are a fantasy also with maps at the front of your book, I would recommend putting you on the website because they don't show up that well on eBooks kind of fiddly, keep referring back to them when you're reading an ebook, but put them on your webpage. People have a place to go to see them, you know? Yeah. It does seem to be a thing for fantasy funds. They like a good map. Jesper (36m 28s): Yeah. I know. I know for me, myself, if I started reading a new fantasy map, even if it's on the Kindle and I do agree, it's it, the resolution of it is not the best air, but if I do open a new fantasy book and I don't find that map within the couple of first couple of pages, I'm already slightly disappointed. Anthony (36m 48s): Yeah. This is, it's become this thing that we all expect. You know, maybe one day I'll publish a fantasy novel without a mark just to be daring, but probably, yeah, Jesper (37m 1s): That's great. Anthony (37m 3s): I heard about David Gammell, loser delight, great British fantasy also, who never, that only, I think only his historical fantasies have maps in them. They were real well-matched but it's actual secondary world fantasies never had maps. And the story I had once was the, the trying to get hired a guy to do a map for him. And he said, all these characters live on the north pole because they're was going east, west, south, and all that. But it makes no sense when you try and track their movements in impossible direction. So basically impossible his roadmap, David them world. Jesper (37m 44s): Right? No, but it is a challenge because when there is a map, then of course it becomes possible to start tracking the distance and how far were, or, you know, because we have it as well in the, in our novel, when, when I need them to go to one place of the, of the world, to another place of the world, I will actually pull out the map and just sort of figure out, okay, if you were a medieval guy who needed to go this distance, how long would it actually take you? So in one, on one regard, that's good that you can make it more realistic in that sense, but another, but on another hand it also makes it difficult sometimes when you're having multiple points of view and then for one character a month passed. And for the other one, you need to take two days, that's a bit of a jealous, Anthony (38m 27s): It was it's. One of the realities of the medieval world was it took ages to get anywhere. And the average person can walk maybe 10 miles a day. You know, you know, a soldier can do 20 miles a day. Cause that's what they're trained for your average person, you know, carrying goods on that bag. He's not going to manage all in 10 miles a day. So it was a hard reality. Then you try and get rounded, maybe Busey magic or something. But if you want your world at one end of the empire Monday, and then they've made it all the way to the other end by Tuesday, you know, it's just not realistic. Jesper (39m 9s): No, no. That's where, well we love time. And also does some tricks with these. I can't remember what, what Michael or what Jordan called them, but it was this way gates or whatever it was. I can't remember the name for it anymore. Anthony (39m 23s): Yeah. Similar in Robin hops, assassin series over these Stoughton portals, people can go to yeah. It's a useful plot device. If you can get it to a Jesper (39m 36s): Yeah, definitely. All right. Well, I want to thank you, Anthony, as well for coming on the podcast and share from, from all your experience and your insights into writing and publishing. Anthony (39m 48s): I'm sorry. No problem enjoyed it. Jesper (39m 51s): And if people want to learn more about you and your writing, Anthony, where do you want them to go? Anthony (39m 58s): My website has all the links to everything. It's a Anthony Ryan dot net. You'll find links to my social media is on there and details of all my books and learn by them and so forth. Jesper (40m 10s): Excellent. I will put the link to a Anthony's website in the show notes as well. So your deal is now you can go and click directly from there. And once again, I want to thank you, Anthony, for coming on the podcast today and fill in for autumn. So I hope you've got a lot from it and enjoyed it. Narrator (40m 28s): If you like what you just heard, there's a few things you can do to SUPPORT THE AM WRITING FANTASY PODCAST. Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review. You can also join Autumn and Jesper on patreon.com/AmWritingFantasy. For as little as a dollar a month, you'll get awesome rewards and keep The Am Writing Fantasy Podcast going. Stay safe out there and see you next Monday.
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  • The AmWritingFantasy Podcast: Episode 153 – Critical Reading of Jade City by Fonda Lee
    Today we delve into the Nebula Award Nominated and bestselling book Jade City by Fonda Lee. What can this highly acclaimed AND popular novel teach us about worldbuildling, plotting, and characters? Join us and we share what we love, what we didn't prefer, and our thoughts on this novel. Tune in for new episodes EVERY single Monday.   SUPPORT THE AM WRITING FANTASY PODCAST! Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review.   Join us at www.patreon.com/AmWritingFantasy. For as little as a dollar a month, you’ll get awesome rewards and keep the Am Writing Fantasy podcast going.  Read the full transcript below. (Please note that it's automatically generated and while the AI is super cool, it isn't perfect. There may be misspellings or incorrect words on occasion). Narrator (1s): You're listening to The Am. Writing Fantasy Podcast in today's publishing landscape, you can reach fans all over the world. Query letters are a thing of the past. You don't even need a literary agent. There is nothing standing in the way of making a living from writing. Join two best selling authors who have self published more than 20 books between them now on to the show with your hosts, Autumn Birt and Jesper Schmidt. Jesper (29s): Hello, I'm Jesper and Autumn (31s): I'm Autumn. Jesper (33s): This is episode 153 of the Am Writing Fantasy podcast. And it is time for our Critical Reading of Jade City by Fonda Lee. And we'll be sharing our thoughts and views with the aim to see what we write as can learn from Autumn (51s): Yes, I'm looking forward to it because it was such an interesting story, but you know, listening right now, if you were planning on reading this book and you haven't yet spoilers, there will be spoilers. So keep that in mind. If you're listening, this is a critical review, not a blurb or a teaser. We're going to rip it apart and say what we love, what we wish had been different and see what else we can learn from this book. Jesper (1m 15s): Yes. And we also got a few remarks from patron supporters. So we will also mention some of that Autumn (1m 23s): As well. Yes. I'm looking forward to it. I happen to have read some of those comments and I'm kind of in agreement with them. So that'll be really fun. Jesper (1m 32s): I am for the most part as well. Autumn (1m 36s): All right. End of episode. No, Jesper (1m 38s): That was it. Go on. Read, read, threatened. That's it Autumn (1m 43s): Awesome. Well, how are things over at Denmark? It's been a little while since we talked, which was partially my fault. I will warn viewers now. I am still, I had a cold. It really knocked it. Wasn't COVID knock on wood, but it's definitely knocked me for a loop. So if my voice is a little hoarse or if I will, I swear I will cough. I'll either mute myself or he'll go away from the microphone. But yeah, there's, there's a chance I'm still coughing a little bit. So it's been awhile. This episode was supposed to be the previous one and we just couldn't get together because cold I've got to call. Jesper (2m 18s): Yeah, this was supposed to be 100 and episode 1 55, 2, and then it now turned out to be 1, 5, 3, and, well, it was a bit of a mess because we had to rearrange stuff and redo stuff and rename podcast episodes and whatnot, but we succeeded and we're here now. Autumn (2m 36s): That's what counts. So how are things been? It's been absolutely ages since we talked. Jesper (2m 42s): Yeah. Well now I don't remember if it was last week or the week before, to be honest. But we were in here during winter time, as I've said on previous podcasts, I started doing sea kayaking. So here during winter time, well, you can go out, see kayaking, but you need a dry suit, which costs a lot of money. So, and we don't have that, but then what we can do is we can go to the swimming hole. So we take the kayaks into the swimming stadium and we train in the swimming pool to do like, you know, Eskimo rolls is what we call them. Dana's I don't know what the English word is, but you know, without getting out of the kayak, you basically you're upside down in the water and then you learn how to get back up out of the water without exiting the kayak at all. Jesper (3m 31s): And I actually managed to do the first roll this last time when we went to practice for the first time I succeeded in rolling around. So that was pretty cool. Autumn (3m 42s): That is really cool. I've never managed to do a full one note. I usually, I was a whitewater kayaking so much smaller, like half the size of a ocean kayak, a sea kayak. And I still never quite learned the hip snap part to get myself fully back on my own. So that's really cool that you could advantage one. Jesper (4m 2s): Yeah, well, it was like a w the time before my wife succeeded doing it and she was just like, and she did it like 10, 15 times, like, like w what, what brown run around. And I was, and I was just so much struggling. It was like, fuck, I can't do it. And then, but then last time we were here in the swimming hole, we had a couple of instructors with us. So I think the instructor probably spent like an hour with me trying to explain how, you know, because it is really, I mean, when I succeeded, I was actually surprised to see how little muscle power you need to use it. It's actually, it's all about technique. You, you almost need to do nothing to flip around if you just use the right technique. Jesper (4m 45s): So, and, and if you like, like angle your body just slightly wrong, or you, you use your arm slightly in the wrong way, you're not going to flip around. So it's really about techniques, but it it's, I succeeded, but now of course, I'm concerned the next time we're going to go train, then I can't do it again. Autumn (5m 4s): Well, it's all muscle memory. So eventually you'll get it down with that as awesome. However, it's hilarious. Your wife was like, whoo, I'm just rolling. Like Jesper (5m 12s): Rolling around like, well, it's quite easy. Yes. That's easy for you to say Yeah. At the other than that, then a well on, in terms of working wise, we've sent book one of our new series off to the editor. So we're waiting to get it back from the first edit, and then it'll go to the second editor and so on, but, but we're getting there now. So, so that's pretty cool. And otherwise we've started to look ahead for 2020 and kind of discuss some of our future plans and so on. But I quite like this time of year when we're sort of reviewing, what are we going to do next inside? That that's always fun to me. Autumn (5m 54s): It is. I think it's it's so it's good to do that. You should do in your life. Should do it in your writing, your book, marketing, whatever you got going on. I think so many people don't take the opportunity to reflect and then reorganized and then hit the new year with maybe some new goals and some new operations and stuff. So I agree which again, you know, go figure we've we tend to agree on just about everything. So it's no surprise. We both enjoy looking over stuff. And I think it gets your passion going, if you feel like you're just doing the same old thing and you just need to keep plugging away at it, you'd lose the passion. And, and it's half the fun is getting that back and getting excited about things and what you're going to do for the next year. Jesper (6m 35s): Yeah, indeed. So how about you? What have you been busy with the last couple of weeks Autumn (6m 40s): Sick, but not much. I've well, I mean, I've managed to get the editing done and so that's been off and I'm going to be working, starting to delve into getting our website for dot com, going some minor, things like that. So I'm looking forward to really getting into that more, but I was surprised last time I was truly sick was actually right when I came back from London and in January, 2019, I got kind of the same thing, chills, really sick. And that really knocked me down for three days. But this one, it was funny. I started feeling better and then I'd be sick for two days and then I'd start feeling better. Autumn (7m 20s): And, oh, it's been a nightmare. I really thought I was surprised when I got the COVID test results back as negative. I'm like, really? If this isn't COVID, oh, there's some other nasty bugs out there. No one should ever have to go through this, but I have never had chills, like shaking so hard while I had a fever in my entire life. Thank goodness. My husband has medical wilderness medical training. Cause he's like, I wasn't worried. We're fine. I know what to do. But I was like, he's saying, right, this is not right, Jesper (7m 52s): But there is a buck like that going around because I mean, over the last two weeks, I was sick for a couple of days as well. And I wasn't, I didn't have the shakes like you're describing there, but I did have a fever. And I was absolutely absolutely sure that this is COVID because it felt like, you know, the, all the flu kind of symptoms, all the stuff that you hear about and, and your throat, you can feel it all the time. It was exactly like the symptoms described for, for COVID. But I also went and got a test and it was negative, but there is something going around like that at the moment. Autumn (8m 23s): Yes. I mean, none of our listeners catch it. It's not contagious through podcasts. Thank goodness. I Jesper (8m 28s): Don't think it's contagious through podcasting. Autumn (8m 32s): I hope not. But yeah. I mean, as I've described it, I feel like I've actually been sleeping with a hot water bottle. I feel like my internal thermostat, we, we speak in car language all the time. I'm not sure, but my thermostat is busted. It is not working. So please, if you find yourself getting cold, stay warm, make sure you, I was sleeping with a hat on and a hot water bottle and a coat. And it's just ridiculous. But yeah. Keep yourself warm and healthy and have a good December. Cause you don't want to get sick at the beginning of winter. It's I'm going to have a horse, a sore throat all winter now Narrator (9m 7s): A week on the internet with The Am Writing Fantasy Podcast. Jesper (9m 13s): So I found a very interesting article on the internet that I just thought I would share here. Excellent. Because it's probably over the past month or something like that, I've been posting sort of different topics to our patron supporters about different aspects of PIP, big publishers merging together and sort of the effect that it might or might not have on us authors that all these big publishers are merging, you know, like low advances, lower royalty payments and so on. I mean us indie publishers, it's not so concerning, but for everybody doing the traditional publishing, then I've been just making different patron posts about that. Jesper (9m 55s): But then I found this article as well about a penguin random house and Simon and Schuster was, they are looking to merge in a $2.2 billion deal. Wow. But then the us justice department stepped in and blocked the merger. Did you see that? Autumn (10m 11s): No, I did not. It's funny. I read the news a lot, but I did not see that one. Jesper (10m 16s): No, no. So the U S justice department assessed that the merchant would create a two dominant market role and it would hurt authors and readers. What do you think about that? Autumn (10m 27s): Well, it's funny. I I've, I agree. We need competition. And so there are things to keep the, you know, something from developing into something that's not gonna squash competition, but then I like a Facebook and Amazon and Jesper (10m 43s): Facebook Autumn (10m 45s): And they haven't considered that dominating things. I mean, especially with Amazon bought good reads and they own publishing and, and there's like the dominant market, but at least they're trying to protect the brick and mortar ones. You know, it's good that they're maintaining some competition out there. Jesper (11m 3s): Yeah. I mean, from a publishing point of view, penguin is the largest publisher and they are launches rival is shaman, Simon and Schuster. So those two merging would generate like a massive dominance in democracy. And in my view it would be like unprecedented on re what are you saying, unprecedented? That was what I was trying to say, control of the publishing industry. Right? So I fully agree with the us justice department here. I think it's a good thing that they are blocking this, but of course the lawyer of penguin then claims that it would actually be good for the authors if the two giants merged and that the publishing imprints will continue to compete against each other is what he said. Jesper (11m 46s): I don't buy that for a second. Autumn (11m 48s): I don't buy that. I think it would give them a better edge to compete against Amazon, but Amazon is so far ahead and eBooks and they're just really, and they're pretty solid and paperbacks, but they're just delving into hard cover. So I think it would put them against each other pretty solidly that way, but I don't think it would help authors to have basically your choices, Amazon or whatever penguin and Shuster would be called. But I mean, to me, it's almost like Amazon decided to buy, oh gosh, I might just completely blanked, but where you buy your, where we're also have our paperbacks published Ingram, like Amazon bought Ingram, spark authors would be doomed, just doomed, but I don't think anyone wants to go under, but yeah, that is like the only other real competition for Amazon is Ingram spark. Autumn (12m 38s): And a lot of people don't even realize it. Jesper (12m 43s): Yeah. And Spotify just bought a find a way voices. Autumn (12m 46s): Wow. There's some shakeup going on. Jesper (12m 50s): Yeah, yeah, yeah. They want to be the dominant audio producer, just like YouTube being for video to Spotify, want to dominate the entire audio Margaret. Oh, Autumn (12m 59s): That'll be interesting. Jesper (13m 1s): But then you also saw, you know, of course that was like early in the year, but also Spotify buying Joe Rogan's podcast for a hundred million dollars and stuff like that. Right. So they're, they're really, you know, playing hot in, in trying to just dominate the audio market, which I probably think, I think, I think they're onto something, but of course from a content creator point of view, you can be nervous that it's going to be the same outcome as it was for musicians. I like getting paid pennies when it's paid on And when or music is played on Spotify and it could be concerned about the same thing here from, from a audio book kind of perspective. Now today bought find a way of voices that you also can end up in a situation where we authors are just going to get paid a few pennies per audio book play. Jesper (13m 49s): So that is a bit concerning. Autumn (13m 52s): I agree. It's yeah. Jesper (13m 60s): All right. So Jade city is a world fantasy award winner. It is, or it was named as one of the times, top 100 fantasy books of all time. And it was a Nebula award nominee for best novel. So, and I actually went, and now it's a couple of days ago, but I did go and check the sales ranking on Amazon. And I think you will see if you do that, that it's selling quite well. So there is a reason why we picked this book in the first place. Yeah. Autumn (14m 28s): And I have to say in some ways it really impressed me. I was so excited. I think by the time I hit chapter two or three, I mean, I was into it. There was no way I wasn't going to finish the book. So I can say that, but I don't know when we'll get there, but my impression at the end I'll let you know if I still felt that way. And I went on because it is a trilogy and there was a book two and a three. So I will say we'll get to maybe how I felt at the end of the little bit. But I will say when I first started reading it, it was unlike the last critical review we did, which was of the fifth season. That one, we were talking about tense changes. I mean, that was very much literary fantasy. Autumn (15m 9s): This one was true fantasy. Not, it wasn't even high fantasy. The setting and the time is more like Japan just after world war one maybe, or just after the U S you know, came in and started taking over just after Japan. Now I can't even remember the date that is, but when Japan opens up to the rest of the world and goes from the Shogun period into a modern era. So it's right at that cusp, there's guns, there's different far-flung politics, but this central very strong government that is used to a very traditional way of doing things and the clans are there. And it's, if you like Kung Fu movies, it has so much of that. Autumn (15m 50s): It was really exciting. I kind of, yeah, I've kind of, it's just like the Grisha of universe. I'm kind of really liking that these a lot of fantasy that is not just medieval, it's really pulling up to different time periods now. And it's kind of like, well, this is, this is different. This is exciting. I'm really enjoying it. Jesper (16m 10s): Yeah. Okay. I think I will, I will not give my overall sort of a conclusion on it. I think we'll talk through it. And then if it's not clear by everything else I say, then I can give my, my final words on, on this book by the end. But I think just as Autumn said, in the beginning of the episode, we are heading into spoiler territory now. So a B one, if you haven't read this book and want to read it, you probably want to stop now and then come back once you read it, and then you can listen in and see if you agree with what we're saying here, but yeah, from now on, you'll have been warned. Autumn (16m 46s): That is very, I think that's been clear to warnings, you know, what you're getting into if you continue on from here. Jesper (16m 53s): Yeah. But so I've made some different notes that sort of some, let's say places where I feel like I can, I can sort of drop in and talk about something, but there was no specific order to this. It's just like different notes on different thoughts. And then also some comments from Stephen, both from good reads our Goodrich group, but also from, from patron. So I have some comments of his and I, I picked some of the comments where I also have a, have you on what he says. So it's sort of like, they are good talking points. But I think first of all, I could start by saying this book is really well written. Jesper (17m 37s): I really feel like, you know, it, it evokes feelings and, you know, the way she described things though, the characters and they do make me as the reader. No, I'm able to picture the scene in my mind when things are happening. So, So that is really well done. So yeah, first, first let's say item on the list is just that it is really, well-written Autumn (18m 3s): Definitely, I think it is worth reading. It is a fun book to read. It is engaging the, again, the world is a different little bit of different time period. If you do like Kung Fu movies, it has that the magic system. I'm sure we'll get into that as well with the Jade and the green bones, the only people that kept kidneys who are the ones who can actually use Jade, everyone else is if they touch it, they're either, unreactive, there's a few people who are in the world who are unreactive to Jade, but the rest of them can basically become addicted. It's like opium. Maybe it's a good substitute for that, but it also gives you really amazing powers. So it's, it's sort of the magic system. And it's really fun. Autumn (18m 43s): I liked that it's tied to a traditional item, that it works in very set ways when she talks about like, you can do this with it, you can do that with it, but it's really hard to do both. Some people are more powerful. They can take, they can wear tons of J jewelry. And there's other people that, you know, you put on five and that's your Bakst out, that's it? I like that there's variation. And it depends on who you are and your heritage. And that there's only this one select group of people, the Keck honeys, who are truly there, the Jade warriors, the green bones who can wear this. And it's also knowing a little bit of Japanese history and Chinese history, how important Jade was, you know, they, they buried their emperor's wearing Jade uniforms. Autumn (19m 25s): And so I'm like, oh, this is it's tying in history. And it's, it's, it's Jade. I love stones and I love green, so, oh, I just liked this matching system. It really resonated with me. Jesper (19m 37s): Yeah. Okay, cool. Because at one of the points that I had written on my list here is really a question mark to my cell is that it's this magic system. Really? That unique question, mark. It was what I wrote on my, on my list because it's basically just superpowers. I mean, yeah, you're using the Jade to, to get your powers, but it's nothing more than that. I mean, the more I thought about it, the less unique I actually feel like the magic system is. I mean, it's fun and all that. It's not, not that, but if you're looking at it from a uniqueness point of view or trying to create something new, then I really don't feel it is that, I don't know if that's fair to say, but Autumn (20m 14s): I think in some ways, I mean, it's based on a lot of traditional, you could substitute any stone instead of Jade on any universe. I mean, I know I've read other ones where it's just a, sort of like the L stones of Shannara. You have stones and you can do something with it. So I think it has a very strong heritage in the same aspect, but I liked that she tied it in to a culture and a history. But again, I also know, and we'll probably get into that or we can get into it now, but the Jade is tied to a history that, again, I keep saying Japan, this is not supposed to be Japan. It's supposed to be Keck, knees and kick on. And that is, I think to me was the biggest weakness is that it was so obvious what country it was and the time period and the era that I was just like, can we just call it Japan? Autumn (21m 6s): It felt like it's an island. So I felt maybe this is supposed to be Okinawa. There's the one area we're against, which to me is the Korea, is which Japan has a huge history of fighting with the Korea. And then there's this sort of English slash for some reason I kept thinking of Spain, but it might be because it was started with like Espana, you know, it had that kind of name to me. So it was like an English slash European foreign power as well. It's just like, it was so obvious that I was like, make it either more different and truly unique, or just call it what it is, because it's not even a filmy gray layer. It's pretty apparent what you're trying to base this on. Jesper (21m 49s): Yeah. I think, I think that's correct. Not necessarily that I think that's a problem as such. I mean, I know we've talked about many times doing our monthly Q and a session with, with our students and, and patron supporters. And so on that if it's a horse, call it a horse. Right. I mean, we set many times, but I, I'm not sure it's a problem as such a, that, that you are sort of mimicking, mimicking close off of some, some real life place, because on the other hand, if you call it Japan and then they were running around with Jade powers, that might, that might also feel wrong. But I, I don't know, but I don't necessarily think that's a problem. That's probably like a, you know, taste kind of thing or opinion thing. Autumn (22m 34s): Some people, yeah, I think some people will not mind it as much, but I, and I was comparing it to like the Grish of books, the Grisha verse, which has also has some key aspects that are very much based on cultures of this planet, but she does a really good job of anchoring the history into her novel it's they develop out of the novel and they have completely unique aspects based on the world. I guess I was, I like my fantasy, just a little bit more fantasy. And this was so close to the real world with just a little van veil of difference that I was like, well, I wanted to see, I think, a little more different. I wanted a little more traditional, a little more history based on the world she was creating for the book rather than something that, oh, I could let me go check Wikipedia and make sure that that is what, how it happened. Jesper (23m 27s): Yeah. Yeah. I, I think on that note, I could just sort of inject the comment we got from Stephen on Goodreads, because it sort of goes very much along with what you're talking about. I think because Steven said a quote here, we have a very Earth-like world where technology is straight out of the late seventies, early eighties. Yeah. So that's just me saying he he's in a different time zone or time period, and you are thinking about it, but okay. Then back to the quote, they have cars, they have guns, they have landline phones, they have vocabulary is completely from modern times. Lee basically took the idea of a Jade based magic system and shoved it into a culture of Oriental gangs from the seventies. Jesper (24m 8s): And right. So, so he's thinking that this is like late seventies, early eighties, where you're talking about after world war one. So there's a bit of, let's say change there, but, but again, I'm not so sure that I fully agree with the fact that their vocabulary is completely from modern times. Like you said, well, maybe it is, but I don't necessarily think that's a problem. I mean, this for me, this is a fantasy setting, so who knows how they talk? I mean, but it goes very much along with what you were talking about. Like, it feels like depends or why not just say it's Japan and so on and so on. Whereas I just think, I just view it as it's a fantasy setting so she can do whatever she wants and maybe it is indeed heavily inspired by some real life cultures and real life locations. Jesper (24m 52s): I don't disagree with that. I also think that it's it's, it is that just like Steven is saying, and like you were saying as well, but I guess I'm just not seeing it as a problem. Autumn (25m 4s): I, and I think that just comes down to personal taste to me. I'd like to see it. I would like to, if I didn't understand a word, like how the people greet each other, there is language used and I'm pretty sure all the language use was Japanese. And I basically could have put it into Google translator and checked it. I think there's a part of me who said, I would rather have that as a fantasy language, make it up to fit your world and don't just make it so that I check it. I did not, but I, I had assumed that I probably could have with that a lot, except for the place names that some of the greetings, some of the words, some of the language, the traditions were very much based on real things that you could Google or check on Wikipedia and double-check. Autumn (25m 52s): And I was just like that's Yeah, to me, I'm like, I would rather have that just shifted a little more into fantasy. Otherwise it w it felt a little not cheating. It just felt like a little bit more work could have been done to make it really have like, wow. That is fantastic. That is so cool. Instead of going like, yeah, I read that the other day in an article on Wikipedia. Cool. Jesper (26m 19s): Yeah, no, fair enough. Fair enough. But I have another call comment as well from, from Steven, which this time I very much agree with him. So I, you ready for this one? Is it also about culture and stuff? So he says a quote. I think if a culture had such a magic system for many centuries, it would have drastically all areas of history and industry in such a way that the world would be a very different place. How would Jade have affected the countless wars over the centuries? How would it have affected the world governments? How would it have affected technology? She doesn't really answer those questions and quote, and here, I really agree with Steven, because if you just imagine, like you take these Jade warriors and you put them in some sort of special forces in the military, I mean, there's nothing they couldn't do, right? Jesper (27m 16s): I mean, yeah, you have guns and stuff. You can shoot them. But, but I mean, if they are like, especially the forces and they sneak in behind enemy lines, I mean, just, they can wreck complete havoc and there's not much you can do to stop them. So, and I don't think that she really concerns herself with, with the fact that wooden governments also try to find ways to basically leverage these kinds of people and conquer other countries and stuff like that is it's never mentioned really from a building perspective. I just felt like that was stuff that could have been explored further here. Autumn (27m 56s): Yeah. I, there, I completely agree. The one thing I did like is that she does have the kind of European foreign power is trying to develop a drug to allow them. Yeah. So yeah. To allow their military to also be able to use Jade and I mean, it has bad side effects. It basically makes you addicted. It can completely overreact. So there, I like that. That was a really cool aspect. But looking at the history, basically all the history you have of Kay Khan and the Keck Annies and the Jade warriors is that they were kind of guerrilla fighters. There was a foreign country that was controlling them and they came down the Hills, they fought for freedom and a revolution, and they want it very, very recently, but it's just like Jesper (28m 39s): Taking over the Autumn (28m 40s): World. I know it gives, like you were saying, I mean, you have these guys train, they can deflect bullets. They have the power to do that. There's like six major powers and one of them is deflection. So yeah, you have some ninja like trained warriors. You could go assassinate just about anyone. Jesper (28m 58s): I have a super fast speed and they have super strong, you know, super strength as well. So I mean, there's almost nothing they can do. Autumn (29m 7s): No. And it's neat because she does have setups where it's like, it's really hard to do two of those at once. It's almost like you can only do one at a time unless you're really, really good. And you have to be well trained. I mean, there's a school you go through. I don't know how many years of schooling, just to be able to learn, to harness this energy. I loved all of that. But again, once you became a full blooded Jade warrior, a green bone here, pretty much it all, it's like, it all was just clan in fighting to control this tiny nation where it's like, they, their history, these people should have rulers. They should have been gone. Like there's mentions of being descended from gods, but it's not developed the point to explain that why they were so insignificant in their own culture prior to this period. Autumn (29m 55s): And I agree with Stephen wholeheartedly, it just felt like it was missing. And if this was a real, real, real fantasy culture, their history would have probably needed a lot more explanation of why they weren't ruling other countries and incredibly wealthy country and a huge superpower because they got skills. Jesper (30m 16s): Yeah. Yeah, indeed. And then that's the part where I don't quite understand why they're just sticking to the small little island here. I mean, why? I mean, okay, fair enough. I mean, gang fighting and stuff like, you know, it is basically the gangs fighting each other and so on, but, but come on. I mean, the government would have stepped in and say, say, Hey guys, you know, you're going to be filthy risk rich, all of you, if you worked for us and, and we go out and we conquer some nation, other nations, I mean, they would have done that. Autumn (30m 46s): I agree. And I Jesper (30m 49s): Could have just now. Yeah, I was just about to finish my, my thought because they, she could just have mentioned it as a short paragraph somewhere, just saying for whatever reason they didn't want to, or, or just give some sort of explanation to why, and then that, that would have been closed. Right. But because it's never mentioned, then it just makes me wonder. Okay. Autumn (31m 10s): Yeah. And I think, again, this is where she was relying way too heavily on the history of Japan because they did close their borders for two centuries, 200 years. They basically were not open up to the rest of the world until the U S came in with a steam ship and basically opened up a country to, from the Shogun era where they're using samurais to basically fast forward, within a matter of years to a full industrial nation. And if you know the history, you're kind of like, oh, she's just basically assuming this is what happened here. And just mentioning instead of the shoguns, as it's the warriors in the mountains and the revolutions and the gorillas and blah, blah, blah, blah, blah. Autumn (31m 50s): But that doesn't work that's, this is supposed to be a fan of it. Doesn't it's not explained with the magic system she has. And that's where, again, I have the problem that if you're going to develop this culture and this history, and it's a different world, don't just rely on what happened in this world, because it doesn't fit. It's going to leave you these disjointed things that I'm like, I don't understand why this would happen this way. Jesper (32m 14s): No, I agree. I, and one of the things we talk a lot about in our world building causes, basically making sure that you analyze what are the wider consequences of the magic system and of the things that you develop in your world, because it will have impact on other things in society on other nations may be in this case and so on. So it's not that you have to play that all out, meaning that just not like the needs to then conquer the world or stuff, but, but at least you need to think about what does it mean? And then if we, I don't want as an author to have the conquered the world, then at least I should have an explanation for why they didn't do so. Jesper (32m 54s): And, and in the same vein here, Steven also said, if Jade is such a powerful substance, has anyone tried to harness it as a power source, the lead through line in there somewhere about scientists studying Jay to find other users, but to no avail, because it only enhances people of bloodline. I would have been able to accept that, but then it would have brought me back to my initial question of why would those J powered S J powered supers have been content with just their tiny corner of the world? And then we're back where we started. Right? But again, I mean, this is again the wider, the wider consequences of having J powers. Jesper (33m 37s): And if you can really get that many powers out of a Jade stone, then I understand what Steven means in terms of, it's not only about military strength here, right? I mean, you, you probably would wonder as a government as well. I wonder if we can use this as a power source for other things, right. And again, like Steven also says, it's not that the fund, the leader needs to make that into something she could, like Steven says she could just have made a small paragraph some way explaining why they tried and they failed and decided not to go any further or whatever, and then fine. Right. But I'm, I'm really missing from a worldbuildling perspective. I think it is a really cool setting. Jesper (34m 17s): So don't get me wrong. I think it's, it's quite cool, but that what would have just made it even better would have been some, some consideration about this wider consequence of the Jade powers. And I really feel that it's completely missing. Autumn (34m 36s): I then I completely agree with you and Steven, that is just, there's something missing. I mean, there could have been any explanation why Jade warriors were limited, why they, they were sick. There was a disease, something just, I wanted some explanation of why they seem so minimal. They were just figure, you know, they had Klan leadership, but it was just this little island. Why not more, but I also want to get into the character is because I think Jesper (35m 4s): Just thinking about, Autumn (35m 7s): You know, we haven't talked in like two weeks and it's, we're still in the same Playboy that's, that's good. But that was, I think my other love and hate of the story were when it came down to the characters, they were well-developed. They were interesting. They had very strong personalities and there were two I wanted to really bow. Well, I guess there was three I wanted to bond with the one was the clan leader who was land. I really, he was my favorite up until okay, very big spoiler alert. He dies. And up until that point, I was really excited. Like he did not want to be the leader of a clan during a war. Autumn (35m 49s): And that's where this world was heading. There was going to be a clan war. And he was basically the only one trying to keep everything together. He didn't want, he wanted to be, he was an awesome, peaceful clan leader, but I'm like, I want to see how he changes, how he transforms and boom kills them off. So I was like, Ugh. And I also, there was Shay, which was his sister and I wanted to like her, she had gone out and explore the world and come back. And there was a few chapters in there where it was like, do I go back to my clan? Do I knock it back to me? And I got to the point, I'm like, just make a decision. I was getting a little sick of her indecision and I never bonded with her because she was just too wishy-washy. And the only other one I kind of liked was Emery Andin. Autumn (36m 31s): Who was the one who was the young Jade bone who had quite the backstory. His mother was like too sensitive, went bad. His father's European. Well, okay. Quote, unquote, European. We're just going to call him that. And he, so he's highly sensitive to Jade. He can do amazing things with it, but he was also too emotional there's times. I wish he was a girl, but then I would have been really annoyed. He was so emotional. At least as a guy, he was like, oh, okay. A really emotional guy. That's kind of different, but I didn't bond with him either. And at the end of the book, that is actually what kept me from buying book two is like, this is interesting. I have some questions about the world and the Jade and the magic, but I really don't really care. Autumn (37m 13s): They killed off land and I don't really care what happens to any of the characters enough to make me go buy book two right now, maybe if I have some spare time later and that's prized me, I was really all set to love this book, but I didn't find the character that really made me want to turn the next page. Jesper (37m 33s): No. And funny enough as usual, we agree here. I mean the only one that slightly had my interest until he was killed, but because it's like, I feel like from the very first page, the worldbuildling really comes into its own. Right, right. Immediately you're sucked into this pretty cool setting. And I was very hooked in it. The first couple of chapters, like this is really great pot. Then the character building and making me as a Rita care for those characters never really happened. It's also, I feel also it's a bit difficult to care for characters who are part of a crime syndicate and they just heard each other people and stuff like that. Jesper (38m 16s): And it's that alone that in his own, it's a bit difficult. It's like, it's like the, the short story we wrote as a prequel for our new series, basically the main coats are there is, is one of the villain in the, So that also they it's, it was a to make, make a character to read us would actually care about because he is actually not that good of a guy. And I feel like that that's the same problem here. Yeah. That it's just like, there is no real character development. I feel like there's real. No, no real care to ox. It's just like a straightforward standard gangster succession story. Jesper (38m 59s): Really? That's it? Autumn (39m 0s): Yeah. I think you really put your finger on it. What, there's no character arc. I was, I thought li like I said, the land had some potential and I was interested to see where he grew too. And he dies. And that was the only one who really, I saw a potential arc to even Emory. I thought at the end, he totally acts out at the perfectly perfect storm moment to not act out in a culture where you don't act out, insult his family, insult everyone, like a huge slap in the face to his family. And I was just like, I wanted some reservations. Like I understood as a writer, why you would do that because to me, you know, you're Writing Fantasy. Autumn (39m 42s): It's always like oceans are supercharged. Things happen, you know, big drama, but I just wanted some restraint from his character to show some sign of growth of thinking beyond his own needs. And yeah, he was being used. But again, in the family setting, it was kind of, he needed to have been used at that point. And it was also an opportunity for him to grow and he just didn't. And I didn't really, I just was so disappointed in him at the end of specifically where I'm like, okay, maybe there's potential. And I was like, I really don't care what happens to him after this. And like I said, I had that one thought I'm like, gosh, it would have been interesting if he had been a strong woman, because there's only a couple of strong women's because it's a very patriarchal, very patriarchal society, even though it's written by a woman. Autumn (40m 35s): And I thought, well, I, I didn't connect with anyone. And that's really a shame because it's a kind of, it's the story itself had so much potential. Jesper (40m 46s): Yeah. I mean, of course this is a Critical Reading episode, so we are being very critical. I mean, I would say it, isn't an entertaining read. It's a good book. So, so, so, so it's just us being very critical here because it's a Critical Reading episode, but so I'll continue in the second way and being a bit critical because what I also felt like I would really have liked some sort of surprised or, or twist about something, just something, but everything was so straightforward that I really felt like, not that I could predict everything that would happen as such, but I, and I don't know if Lee, maybe Lance Beth, you could say was a bit of a surprise. I was, I actually, I was not expecting him to die. Jesper (41m 29s): And so that was a bit of a surprise, but know, but I, I dunno, it just felt too straightforward if you know what I mean. Autumn (41m 37s): Yeah, no, I do. I see, I was kind of, I knew land was either going to die or he's going to have an awesome character arc. And I was so hungry for that character arc and it didn't happen. And I was a little surprised at how they used Emery to defeat the other clan or, well, it wasn't really a defeat defeat, but how they used him and his power, but it completely made sense. And if you were paying maybe attention to embryo a little bit more, you would have totally seen where that was coming from. So everything very much built off of everything you expected to in the story. And there was no huge surprise twist. There was no women coming in to save the day, which, you know, I always hope for, but it didn't happen. Autumn (42m 17s): I was true. Everything was just a little too stuck in its box and stayed there pretty tightly. And so there, I kind of agree. I, I wanted something a bit more exciting, something a bit more surprising and it never developed. I was actually really holding up when LAN the night he dies, he gets a letter from his ex-wife that he had let go. He was way too nice of a character in many ways for the world he was in. And I always wanted to know what was in that letter. It was like the hanging threat. I was expecting her to say, well, actually I left and I was pregnant with you. And I just he's, he's your son and or your daughter, which would have been really awesome. Autumn (42m 58s): And I it's time she come back and begin her training with you. I would've been heart-stopping Lee so excited, but they never actually mentioned the letter. He puts it in a drawer and no one finds it. I'm like, is this in book two? I don't. And again, that's, that's about the only curiosity I have is what was in this really thick letter edits. At least I'm curious about it, but you know, if there had been some tea, some tea, but it would have been better to end book one with someone having found it and opening it going, oh my gosh. Then I would have been booked to right there then. Autumn (43m 38s): Oh my gosh. Jesper (43m 40s): Oh, lots heat from Rita's if you did that. Oh my God. They said, Autumn (43m 44s): I know, but I would have bought it in this, in a heartbeat just to find out what was said. So I didn't have that draw. And again, I agree with you, this book it's worth reading. It's entertaining. It's beautiful. If you love kung-fu it is such a fun book to read. I think book two and three might be worth reading. I mean, the reviews are astounding. The book sales are astounding. It's probably worth reading. Yeah. But I wasn't drawn to it enough, but I think there is, there's something to learn there as a writer that there's something missing with a character or something. A lot of people, even Steven had mentioned, he didn't connect with the characters. Jesper (44m 25s): Yeah. Yeah. And of course a Windell, everybody could then say, yeah, that's nice. You guys are saying that, but this is, is this a top 100 fans as you broke it of all time. And so neighborly award nominee for best novel and so on. Yeah. And fair enough. Yes. But we can only speak of our own opinions here. And, and if I'm very honest about it, the only thing in my opinion, I can say, I don't understand why it is that highly praised. It's a good book. Yes. It's a good story. Yes, it is very, well-written great. Worldbuildling maybe with some, some missing pieces, like we talked about here, but I don't feel it's that good that it should be that highly pre I don't know. I mean, maybe I'm just, I'm just weird and I'm not like everybody else. Jesper (45m 9s): And fair enough if that's the case, but I dunno, I enjoyed it. Good read, good entertainment. But if I hadn't known that it was a award-winning novel like this, I would never have guessed it. Let me put it that way. Autumn (45m 23s): Agreed. I think I I've read some indie fiction that I think topped it, rivals it and tops it. So it's interesting that it got picked for us is such an award-winning and so touted. I think there's a lot of great books out there. It's no better than a lot of them. I mean, well, okay. It's better than some of the really rough ones, but it's on par. It's a good book. It's entertaining. There's other ones that are probably more exceptional. But other than that, again, it is my opinion. It was worth reading, but wow. I can only complain to complain to have the problems she has with how well it's doing good luck best for her. I'm so excited. Autumn (46m 4s): I wish every author who wrote that well or on par could do as well. Jesper (46m 10s): Yeah, for sure. For sure. I think one last thing I had on my list to mention here, because this is really something I've learned, not from this novel alone, but sort of from all these kinds of bestseller novels that we read over the, I mean, we read, we went one before as well for the, for this podcast. But outside of the podcast here, we, we have also had like what, four or five, something like that, very best-selling books that we've read over the last month, but just because we were trying to see what are the common denominators in these books and what I have learned, and this book is exactly the same. And I've been surprised about this because it's not, I guess my standard preference, but I just have to admit as well that after reading all of these massively successful bestsellers, what they all have in common is that they are fairly slow paced all of them, this one as well. Jesper (47m 8s): You know, it, it takes time before things get going. It's not that nothing is happening, but, but it's not a fast page. One way that you like flipping pages to see what happens next. It it's fairly slow paced. It takes a time with where you spent just spend time with the characters and all of these very, very successful novels. They all do this. So I know, I know some people sometimes say, will, it feels a bit boring because not enough is happening, but at the same time, I just have to, you know, concede and say, well, apparently that's what most people want. That's the only conclusion I can draw because I've seen it over and over and over again now. Autumn (47m 48s): Yeah, no, I agree with something and it's definitely not to my taste. Like I said, there was probably two or three chapters. I'm like, you could have cut one of these out. Oh my gosh. It's so slow in the beginning. Especially without the character development more. I think, I think that could have been stronger, but yeah, a lot of these incredibly best-selling books are slow paced and there seems to be a lot of time just spent dilly-dallying and learning parts of the world. And oh, remember when I read, there's a lot of cooking and food descriptions and I'm a foodie and I was getting a little tired of the cooking and the food description. That's a lot of cooking and food descriptions. Yeah. Jesper (48m 26s): No, I mean, don't get me wrong. The point, the point with slow paced is not to be boring. That's not what I'm saying. Right. I mean, if you just have chapters cooking and nothing is happening, that is boring. That's not what I'm trying to say. I'm more things are happening and things were also happening in JTD, but it just takes it time with it. It, nothing is rusted, you know? Yeah. It's just a slow paced. Autumn (48m 50s): Yeah. Slower than you might think. If you're writing slow and you think it's slow, you might be okay. Read a couple of these books and see how you, you measure up. Yeah. Jesper (49m 0s): Alright. Anything else on your list autumn? Or is that it? Autumn (49m 4s): That's it? I think we covered all my big topics. So I will just say it is a good book. It's worth reading. There's also a lot of great authors out there, so yeah. Go check out a book. All right. Jesper (49m 17s): That's good. So next Monday I have a great interview lined up for you and I hope very much. You're going to enjoy that one. So see you then, Narrator (49m 30s): If you like, what you just heard, there's a few things you can do to SUPPORT THE AM WRITING FANTASY PODCAST. Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review. You can also join autumn and Jasper on patreon.com/AmWritingFantasy for as little as a dollar a month. You'll get awesome rewards and keep The Am Writing Fantasy Podcast, going, stay safe out there and see you next Monday.
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In today’s publishing landscape, you can reach fans all over the world. Query letters are a thing of the past. You don’t even need a literary agent. There is nothing standing in the way of making a living from writing. Join the two bestselling fantasy authors, Autumn and Jesper, every Monday, as they explore the writing craft, provides tips on publishing, and insights on how to market your books.
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