The Great Women Artists

TODAY on the GWA Podcast: choreographer Meryl Tankard on her mentor and friend, the legendary dancer and choreographer: PINA BAUSCH (1940-2009).

Artist, choreographer, visionary, and trailblazer in bringing dance into the modern world, Pina Bausch – one of the most popular names when it comes to artists' influences – was hailed for her raw, haunting, experimental dances, and all-encompassing productions.

The Foundation had some small edits; the Juilliard mention in para3 to explain why she went to NYC, and adding in the name of the new production at the end:

TODAY on the GWA Podcast: choreographer Meryl Tankard on her friend, the legendary dancer and choreographer PINA BAUSCH (1940-2009) ✨✨

Artist, choreographer, visionary, and trailblazer in bringing dance into the modern world, Pina Bausch – one of the most popular names when it comes to artists' influences – was hailed for her raw, haunting, experimental dances, and all-encompassing productions.

Born in 1940 in Germany in the midst of WW2, from an early age Pina took ballet and dance lessons. In the 1950s, a scholarship at Juilliard took her to NYC, a time of great artistic reinvention, and then back to Germany, where she founded Tanztheater Wuppertal and created her groundbreaking choreographies. While the group, at first, faced hostility, the crowd – and the world – soon realized her innovations.

On the magic of dancing with Pina Bausch, Meryl told me:  "Every time we moved it had an emotion behind it ... that's what really shocked everyone at the beginning, because dance had always hidden the pain, hidden the insecurities; we had beautiful hair and costumes. And Pina went, 'let's forget all that. Let's talk about what you are really feeling'. She choreographed vulnerability. She choreographed all our insecurities, and she put music to it. People were just like, wow, that's me. They could see themselves."

I meet with Meryl Tankard on the occasion of her creating a new encounter with Bausch's piece "Kontakthof", with “Kontakthof – Echoes of ‘78”, to be performed at Sadler’s Wells here in London (7–11 April). With nine of the original dancers returning to their roles, the production will integrate projections of archival footage from the original performance, reflecting the passage of time since its creation. And I can't wait to find out more!

THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

"Kontakthof – Echoes of '78" https://www.sadlerswells.com/on-tour/current-productions/kontakthof-echoes-of-78/

I am so excited to say that my guests on the GWA Podcast are the esteemed scholar and curator, Katlijne Van der Stighelen, and Royal Acdemy senior curator, Julien Domercq!

Part 1 –  Katlijne Van der Stighelen
Part 2 – Julien Domercq

A professor at KU Leuven until 2024, who has published books on artist Anna Maria van Schurma, Katlijne is also a curator, having, in 1999, along with Mirjam Westen, curated the first ever exhibition on women artists in Belgium and the Netherlands. She is also the curator of Van Dyck l'Europeo: His Journey from Antwerp to Genoa and London', currently on view at the Palazzo Ducale in Genoa.

But, the reason why we are speaking with Katlijne today is because she has, according to some news outlets, made the greatest artistic discovery of the 21st century - and no, we are not talking about Banksy. It was digging around in a museum basement just over 30 years ago that Katlijne stumbled upon the extraordinary work of Michaelina Wautier, then a totally obscure name not even known to 17th century specialists, active in the mid-1600s and at famed for her colossal paintings of mythological scenes, smaller meticulously rendered, almost breathable garlands of dazzling flowers, and portraits of strong female saints and characters, not unlike her Roman contemporary, Artemisia Gentileschi.

But clearly something got lost upon the way – because until Katlijne’s work, Wautier’s name had been merely a footnote in art history. But now, thanks to decades of her tireless work, she is righting that wrong with Wautier’s first ever exhibition in the UK - following critically acclaimed shows at the Kunsthistorisches Museum, Vienna, MFA Boston, MAS-Museum in Antwerp, and more.

Part one of this podcast will deep dive into this extraordinary artist – and story – and in the second half, we will walk around the exhibition with Royal Academy senior curator Julien Dormecq to transport you to London, and I can’t wait to find out more.

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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:

https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Tory Peters
Music by Ben Wetherfield

TODAY on the GWA PODCAST: esteemed curator DITA AMORY, discussing HELENE SCHJERFBECK!

Currently the Robert Lehman Curator in Charge of the Robert Lehman Collection at The Met, Amory has curated numerous critically-acclaimed exhibitions, such as Pierre Bonnard: the Late Interiors, Madame Cézanne, Félix Vallotton, Vertigo of Color, and more. A graduate of art history at Trinity College, Sarah Lawrence College, and the Institute of Fine Arts, New York University, where she earned a master’s degree – Amory began her career as a librarian, before becoming Curator of Drawings, then Chief Curator at the National Academy of Design. She joined the Met in 1997 as Assistant Curator of the Robert Lehman Collection, taking charge of the department in 2007 as Acting Associate Curator in Charge, and later Curator in Charge.

And WOW has she worked on the most incredible projects since…. including the reason why we are speaking to her today: the extraordinary, current exhibition: Seeing Silence: The Paintings of Helene Schjerfbeck, that brings together 60 works by the Finnish-born artist, who travelled to Paris to study in the late 1800s, as one of few women who could be awarded an education on a par with their male counterparts. Leading an artistic life imbued with freedom, Schjerfbeck spent summers in Brittany – where she painted en plein air – producing radical paintings devoid of figures but full of modernist feeling. It was also here where she embarked on a life-long subject, her self-portrait, that she would tackle in Helsinki and beyond… She was an artist whose life moved with changes in the 20th century, and worked in a style that not only charted the changes in a war-filled world, but a woman battling with her own ageing.

Seeing Silence: The Paintings of Helene Schjerfbeck is the first exhibition to showcase the work of the artist in a major US museum. On now, until April 5. https://www.metmuseum.org/exhibitions/seeing-silence-the-paintings-of-helene-schjerfbeck

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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:

https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Tory Peters and Nada Smiljanic
Music by Ben Wetherfield

TODAY on the GWA Podcast: the renowned art historian and writer, Nicholas Fox Weber discussing ANNI ALBERS!

A graduate of Columbia College and Yale University, who received his PhD at the University of Groningen, Weber is a prolific and esteemed author of over a dozen books – including The Bauhaus Group, Le Cor­busier, Balthus A Biography, Patron Saints, The Art of Babar, and many more – as well as being the founder of a non-profit organisation that supports arts, education and medical care in Senegal…

But! The reason why we are speaking to him today is because, for nearly 50 years, he has devoted himself to the lives and works of the pioneering 20th century German-born artists – who lived in the US for much of their adult life – Josef and Anni Albers. As the Executive Director of their foundation, Weber has written extensively on them, bringing their work to the fore, and championing and preserving their legacy.

While Josef Albers is a trailblazing artist whose theories on colour, and teaching methods, have shaped much of contemporary art, it is the brilliant Anni Albers who we will be discussing today. Born in 1899, and a student of the Bauhaus and a teacher at Black Mountain College, Albers is known for spellbinding weavings that span large-scale practical wall-coverings to smaller thread-based works that she infused with geometric, rhythmic patterning and electric colouring. The first artist working in textile to be honoured with a major solo exhibition at the Museum of Modern Art, and a celebrated writer known for her books – On Designing / On Weaving – Albers, it is fair to say brought the medium into the modernist world, while also deeply rooting it in ancient textile traditions from around the world.

I am delighted to be speaking to Weber ahead of the publication of his extraordinary new book, Anni Albers: A Life, out this April, that charts the life of this artist who he was lucky enough to call a close friend, and who we are lucky to now witness in a new way thanks to the extensive personal stories he has gathered from the many times they would meet, whereby he would rush to write down everything she said verbatim, so we could one day have this extraordinary record.

HIS BOOK: https://www.waterstones.com/book/anni-albers/nicholas-fox-weber//9780300269376?sv1=affiliate&sv_campaign_id=626889&awc=3787_1773140986_d2d13306eaf5d21d4b7bc0e74ed2dd43&utm_source=626889&utm_medium=affiliate&utm_campaign=adstrong

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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:

https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Music by Ben Wetherfield

I am so excited to say that my guest on the GWA Podcast is the author, academic, screenwriter, creator of fantastical worlds and nocturnal roof-climber, Katherine Rundell.

An award-winning non-fiction author for adults and fiction writer for children – whose books have sold over 4million copies worldwide, Rundell has penned works that span from the Impossible Creatures series – set in magical, endangered Archipelago – to Rooftoppers, about a young girl called Sophie who climbs the roofs of Paris in search of her mother, which is, one of my favourites. Because another of Rundell’s great works is Why You Should Read Children’s Books Even Though You Are So Old and Wise, a small yet mighty book that argues for children’s fiction as integral to our reading output. A place which invites us not only to understand the fundamentals of good and evil, but reminds us of the importance of taking kids seriously, as Sophie, the protagonist in Rooftoppers, reminds us: “Do not underestimate children, do not underestimate girls.” I also highly recommend Rundell’s lecture on this subject that was published in the London Review of Books last winter.

A Fellow of St Catherine’s College, Oxford and quondam fellow of All Souls College, Oxford – where she was admitted as the youngest fellow in 2008 – Rundell is also a scholar on the 16th century poet, preacher, politician, lawyer, Dean of St Paul’s Cathedral (and more) John Donne, with her electrically-written biography, Super Infinite: The Transformations of John Donne that won her the Baillie Gifford Prize.

A #1 NYT and ST bestselling author, the winner of Waterstones Book of the Year, and the Author of the Year, as recognised by the British Book Awards, Rundell is one of our greatest thinkers, writers, creators, and campaigner for “putting imagination first”. And it is reading her books that I am reminded of that superpower, the brilliance of human capability that not only gets us to dream up different worlds, but imagine how we can make this complex one a much more beautiful and better place.

This week marks World Book Day 2026, and excitingly the publication of my first children's book, so I couldn't be more honoured to speak with Katherine today, about writing, art, books, and more.

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KATHERINE'S BOOKS: https://www.waterstones.com/author/katherine-rundell/53343

MY CHILDREN'S BOOK! https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9780241824214

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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:

https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Music by Ben Wetherfield